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Tempo in Music

Understanding tempo in music is fast or slow song when sung in a music composition. A composer, usually determines the desired <a href="http://mmusic-zone.blogspot.com/2012/11/song-speeds-tempo.html">tempo song</a> that was written on the left over the composition of his songs. The term due is usually in the form of words in Italian language or languages other currencies. The term can also be placed tempo in the middle of the song, ie when the composer really want change tempo in the middle of his song was to write the word "change tempo" in the notation or staves that changed tempo. 
 
Measuring Tempo 
 
Tempo will typically be written at the beginning of a piece of music, and in modern Western music is usually indicated in beats per minute (bpm). This means that the number of beats (pulse) per minute played. The greater the tempo, the larger the number of beats that must be played in one minute. Such mathematical sign of maturity is becoming increasingly popular in the first half of the 19th century, after the metronome had been invented by Johann Nepomuk Mälzel, although early metronomes somewhat inconsistent. Beethoven was the first composer to use the metronome, and in 1817 he gave a metronomic indications for "eight Symphonies" her. 
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At the metronome are also bell sets that we can match beats sound bars, 2/4, 3/4, 4/4, 6/8, and so on. Bell will sound on every first beat in every segment bars. Thus the buzzer coincided with the first beat of the track bars. The technical writing position metronome mark is placed near term due form letter acronym, a word of Metronome MM Malzel. The name is taken from the name of the copyright owner is the inventor, Johann Nepomuk Malzel (1770-1838). 
 
 
Example metronome mark: MM. = 130 This means that there are 130 beats in the minute. So the greater the number, the faster the tempo MM song. With the advent of modern electronics, bpm be a very appropriate size. Music sequencer using the system to indicate the tempo bpm. 
 
Signs Tempo Basic 
 
All signs are based on a few root words. 
- By adding Issimo words mean very. 
- By adding the-ino words mean more. 
- By adding a Etto means little. 
 
Metronome marks are a guide only and depending on the sign, these figures may not be appropriate in any condition to play music. 
 
Larghissimo - very, very slow (20 bpm and below) 
Grave - slow and solemn (20-40 bpm) 
Lento - slow (40-60 bpm) 
Largo - width (40-60 bpm) 
Larghetto - rather wide (60-66 bpm) 
Adagio - slow and stately (casual) (66-76 bpm) 
Adagietto - rather slow (70-80 bpm) 
Andante - Moderato bit slower than Andante 
Andante - walking pace (76-108 bpm) 
Andantino - slightly faster than Andante 
Moderato - moderate (108-120 bpm) 
Allegretto - pretty fast (but less so than allegro) 
Allegro Moderato - quite fast (112-124 bpm) 
Allegro fast - quick and decisive (120-140 bpm) 
Vivace - agile and fast (≈ 140 bpm) (quicker than allegro) 
Vivacissimo - very fast and lively 
Allegrissimo - very fast 
Presto - very fast (168-200 bpm) 
Prestissimo - very fast (more than 200 bpm) 
 
Codicil: 
 
<ul>
<li>A Piacere - players can use discretion relating to tempo and rhythm; literally "at will"</li>
<li>L'istesso tempo - at the same speed</li>
<li>Tempo comodo - on speed (normal) comfortable</li>
<li>Tempo di ... - the speed of ... (Such as Tempo di Valse (waltz pace), Tempo di marcia (speed mars)</li>
<li>Tempo Giusto - at a consistent speed, the speed of the 'right', in strict tempo</li>
<li>Tempo semplice - simple, regular pace, clearly</li>
</ul>
 
 
General qualifications: 
 
<ul>
<li>alla - manner or style of, as in</li>
<li>alla breve - tempo 2/2. In Dutch: gehalverde congregation</li>
<li>alla marcia - in a march (eg, Beethoven, op 101.)</li>
<li>all ongarese - 'in Hungarian style</li>
<li>alla (danza) tedesca - the German dance and dance styles are similar in tempo rather quickly (see Beethoven, op 79, op 130 ..)</li>
<li>Alla turca - in the Turkish style, which, in imitation of Turkish military music (music Janizary), which became popular in Europe in the late 18th century (eg, Mozart, K. 331, K. 384)</li>
<li>alla zingarese - in the style of Gypsy music</li>
<li>assai - very much, as in allegro assai, quite fast</li>
<li>ben - well, as in ben MARCATO (well marked or accented)</li>
<li>con bravura - with skills</li>
<li>con brio - with zeal and enthusiasm</li>
<li>con fuoco - with fire</li>
<li>con moto - with movement</li>
<li>deciso - clear, unequivocal</li>
<li>fugato - in fugal style, usually part of the non-fugal composition; such passages often occur in the development of symphonies, sonatas, and quartets</li>
<li>in modo - in manner, in style: in modo Napolitano (in the Neapolitan style), in modo in marcia funebre (in a funeral march)</li>
<li>meno - less, such as Mosso meno (less fast)</li>
<li>appena - almost nothing, like appena forte (loud hardly at all)</li>
<li>misterioso - mysterious</li>
<li>molto - much, very, as molto allegro (very quick) or molto adagio (very slow)</li>
<li>non troppo - is not too much, such as allegro non troppo (or allegro ma non troppo) means "fast, but not too much"</li>
<li>non tanto - is not so much</li>
<li>piu - more, such as di piu allegro (faster), used as a relative indication of when it changes tempo</li>
<li>piuttosto - more, like piuttosto allegro (rather quickly)</li>
<li>poco - a little, a little, like poco adagio</li>
<li>poco a poco - piecemeal</li>
<li>Polacca - name Polish dance, polonaise usually, as in tempo in Polacca, (the "Polacca" in Bach's Brandenburg Concerto No. 1 shows little resemblance to the polonaise)</li>
<li>primo - principal or earlier, such as primo tempo, tempo the same as at the beginning (back to the tempo early, because of a change in tempo)</li>
<li>quasi - almost, almost, as if (like piu allegro quasi presto, "faster, as if presto")</li>
<li>senza - without, like interruzione senza (without interruption or delay), or misura senza senza tempo (without measuring tight)</li>
<li>sostenuto - sustainable, long</li>
<li>Subito - abrupt</li>
</ul>
 
In addition to Allegretto, composers freely apply small and superlative Italian suffix to various tempo indications: andantino, larghetto, adagietto, and larghissimo. 
 
Connotation Tempo Based Mood 
 
Some signs are especially marked mood (or character) also has the connotation due: 
<ul>
<li>Affettuoso - with feelings / emotions</li>
<li>Agitato - agitated, with implied velocity</li>
<li>Appassionato - to play the passionate</li>
<li>Animato - spirit, life</li>
<li>Brillante - sparkling, glittering, as in Allegro Brillante, Rondo Brillante, or Variations Brillantes; became fashionable - in titles for virtuoso section</li>
<li>Bravura - wide</li>
<li>Cantabile - in singing style (lyrical and flowing)</li>
<li>Dolce - Sweet</li>
<li>Energico - energetic, strong, powerful</li>
<li>Eroico - heroic</li>
<li>Espressivo - expressive</li>
<li>Furioso - to play the angry or upset</li>
<li>Giocoso - carefree, funny</li>
<li>Gioioso - joy</li>
<li>Grandioso - majestic, graceful</li>
<li>Grazioso - gracefully</li>
<li>Lacrimoso - crying, sad</li>
<li>Lamentoso - wailing, sad</li>
<li>Leggero - to play lightly, or with light touch</li>
<li>Maestoso - majestic or stately (which generally indicates a serious, slow march-like movement)</li>
<li>Malinconico - melancholy</li>
<li>Marcato - marching tempo, marked with emphasis</li>
<li>Marziale - in march style, usually in simple, strongly marked rhythm and regular phrases</li>
<li>Mesto - sad, melancholy</li>
<li>Morendo - dying</li>
<li>Nobilmente - respectable (in a noble way)</li>
<li>Patetico - with great emotion</li>
<li>Pesante - very</li>
<li>Sautillé / Saltando - restlessness, rapid, and short</li>
<li>Playful - scherzando</li>
<li>Sustainable - sostenuto, sometimes with reduced tempo</li>
<li>Spiccato - sautillé slow, with a bouncy manner</li>
<li>Tenerezza - softness</li>
<li>Tranquillamente - adverb from Tranquillo, "calm"</li>
<li>Trionfante - triumphantly</li>
<li>Vivace - lively and fast, over 140 bpm (which generally indicates a fast movement)</li>
</ul>
 
Change in Tempo 
 
<ul>
<li>Accelerando - tempo up (abbreviation: accel.)</li>
<li>Allargando - tempo down, usually near the end of the song</li>
<li>Calando - will slow (and usually also softer)</li>
<li>Doppio Movimento - double speed</li>
<li>Meno Mosso - less movement or more slowly</li>
<li>Mosso - movement, more life, or faster, such as piu Mosso, but not extreme</li>
<li>Piu Mosso - movement more or faster</li>
<li>Precipitando - rushing, run faster / forward</li>
<li>Rallentando - gradual slowing down (abbreviation: rall.)</li>
<li>Ritardando - less gradual slowing down (more sudden drop in tempo than Rallentando) (abbreviation: rit or more specifically, ritard ..)</li>
<li>Ritenuto - slightly slower, while holding. (Ritenuto stands can also be written: rit.) More specific so stands riten Also sometimes ritenuto not reflect changes in tempo, but not change the character)</li>
<li>Rubato t- empo-free adjustments for expressive purposes</li>
<li>Stretto - in a faster tempo, often close to the conclusion of a section. (The term is not necessarily related to the tempo.)</li>
<li>Stringendo - pressing faster (literally "tightening")</li>
</ul>
 
Note: 
 
<ol>
<li>Within the base (such as allegro) appears in large writing on the staves, these adjustments typically appear below the stave or (in the case of keyboard instruments) in the middle of a large staves.)</li>
<li>Changes in the general tempo appoint a gradual change in tempo, because the tempo shifts immediately, composers usually only provide the name for the new tempo. (However, when Piu Mosso that Meno Mosso or appearing in large letters above the stave, it serves as a new tempo, and thus implies a change soon.) Some terms, for example, assai, molto, poco, subito, control how large and how changes should be gradual (see general qualifications).</li>
<li>After a change of tempo, tempo composer may return to previously in two different ways:</li>
<li>A return to the tempo tempo early after adjustment (eg "ritardando ... a tempo" (cancel effect ritardando).</li>
<li>Primo Tempo tempo or I - indicates an immediate return to the previous tempo after the part in a different tempo (eg "Allegro Moderato Lento .......... ... Tempo I", indicating a return to Allegro). This indication often functions as a structural marker in pieces in binary form.</li>
<li>This requirement also indicates, instantly not gradually, change tempo. Although the Italian language, composers typically use the term above, even though they have written their initial tempo marking in some other language.</li>
</ol>
 
Tempo marks in other languages 
 
Although the Italian language has been commonly used in terms of tempo mark in the history of classical music, many composers wrote tempo indications in their own language. Definition tempo marks mentioned in this section can be found in the Harvard Dictionary of Music and / or the online foreign language dictionaries. 
 
Signs Tempo French 
 
Several composers have written tempo marks in French, among them baroque composers François Couperin and Jean-Philippe Rameau as well as Claude Debussy, Olivier Messiaen, Maurice Ravel and Alexander Scriabin. 
<ul>
<li>Au Mouvement  - played a tempo (first or primary).</li>
<li>Grave - slowly and earnestly</li>
<li>Lent - slowly</li>
<li>Modéré - in medium tempo</li>
<li>Moins - less, as Moins vite (not fast enough)</li>
<li>Rapide - fast</li>
<li>Très - so, as in the Très vif (very much alive)</li>
<li>Vif - life</li>
<li>Vite - fast</li>
</ul>
 
Erik Satie is known to write extense tempo (and character) mark by defining them in a poetical and literal, as in his Gnossiennes. 
 
Signs Tempo German 
 
<ul>
<li>Langsam - slowly</li>
<li>Lebhaft - life (mood)</li>
<li>Mäßig - enough</li>
<li>Rasch - fast</li>
<li>Schnell - fast</li>
<li>Bewegt - animated, with motion</li>
</ul>
 
One of the first German composers to use tempo marks in his mother tongue is Ludwig van Beethoven. One is using a combination of the most complicated tempo and mood signs may Gustav Mahler. For example, the second movement of his Symphony No. 9 marked Im Tempo eines Ländlers gemächlichen, etwas täppisch und sehr derb, showing folk-dance movement as slowish, with some awkwardness and vulgarity many executions. Mahler would also sometimes combine German tempo marks the traditional Italian mark, as in the first movement of the sixth symphony, marked Allegro energico, ma non Troppo. Heftig, aber markig (energetically fast, but not too much violence. Yet powerful).

Understanding tempo in music is fast or slow song when sung in a music composition. A composer, usually determines the desired tempo song ...

Drum Musical Instrument History

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Drum musical instrument is a device that raises the voice of a long and impressive film with some type of object, usually a curved stick. Drums consist of a hollowed out piece that extends to the end of the drum, and tuning keys or pegs which stiffens or loosens the membrane to achieve different tones. In history, drums and cymbals played separately in military and orchestral music settings. Initially, drummers played the bass and snare drums by hand, and then developed with the footpedals to play the bass drum. Hi-hat appeared around 1926. Metal consoles were developed to hold Chinese tom-toms, with swing out stands for snare drums and cymbals. In the 1930's, popularized efficiently which leads to a four piece drum base standard: bass, snare, tom-tom, and floor tom. In history, one of the drummers that can play two or more drums at the same time, people started placing groups of drums together for one musician to play. Louie Bellson using two bass drums, or the double bass drum. Gene Krupa, the first drummer to lead its own orchestra and thrust the drums into the spot light with a drum solo, the others will soon follow the lead. With the influence of rock and roll, a watershed appears, when Surfaris released "Wipe Out" and when Ringo Starr of <a href="http://mmusic-zone.blogspot.com/2013/01/the-beatles-rock-legend.html">The Beatles</a> played a Ludwig kit on American television, the events that motivated legions to take up the drums. Drum major for Rock music began in the 1960s and gained momentum in the 1970s. In the 1980s, became very popular and the musicians who use a large number of drums and cymbals, and also began using electronic drums. In the 2000s, many drummers in popular music has returned back to basic four piece drum standards. Inside the drum can be seen the game an emotional person, but it also play drums but also vary According core of his songs being brought. From the world famous drummers like Travis, he played with relying on speed, agility and feeling very good tempo. In addition, other famous drummers such as Mike Portnoy, he played with regard knock songs played in order to vote in accordance with the music blows. Drum musical instrument became the foundation upon roomates every tune sounded so upbeat.

Drum musical instrument is a device that raises the voice of a long and impressive film with some type of object, usually a curved stick....

Harp Musical Instrument

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Harp considered to be one musical instrument that is played by plucked, Harp Musical Instrument has a triangle shape or Triangular. Normally, on any stringed harp that has no color of its own. All the red strings on the harp is C. All the strings are black or blue is F. To not his logs itself in the form: CDEFGABCDEF [From lowest to highest]. In the play the harp we will use the 4 kinds of fingers. Starting from the mother's finger, index finger, middle and ring. Everything is divided into finger 1, finger 2, finger 3 and finger 4. Sort wrote from left to right, do not use the little finger. It was said that this harp is a musical instrument that has been played a long time since the days of Ancient Egypt. By the goddess or princess, of course. Strings Twang singing beautiful melody. For those who are already proficient in playing the piano certainly not be difficult if you want to learn harp. 
 Peter Sterling is a renowned harpist whose music can provide a glimpse of the atmosphere heavenly feeling. Peter never received any formal training in music. At first, one day he was lifted from his body by the music and come to a place full of light, grace, and joy, which he saw angels around him singing, playing the harp, flute, and violin. He has a telepathic connection with these angels and then they started to convey a lot of information on him. The angels told him that his mission is to be a liaison to the heavenly music he was listening to, and he will do all this through the harp game. "They said this Celestial Music as a clarion call, such as Gabriel blowing his horn, calling all souls home. It was such a change of era. And that's music. He awakened people to see the larger vision. Modern harp usually triangular-shaped. Variations in the size of a harp can reach two feet (60 cm) to six feet (180 cm) and has 22 to 47 pieces of string. Harp with smaller size could lap as he played. While a large usually placed on the floor. The string harp made of Gut (Intestinal animals), Nylon (Nylon) and for lower strings coated by silver wire. Shorter strings, the higher the pitch produced. Well, otherwise if the longer the pitch produced naturally lower. The string is named as A, B, C, D, E, F and G. Harp can be found with the shape and size are more varied than the musical instrument / other instruments. Harp is one of the oldest intrument, and is said to have been used since ancient Egyptian times. and for a new type of Harp, Harp are Electric.

Harp considered to be one musical instrument that is played by plucked, Harp Musical Instrument has a triangle shape or Triangular. Norma...

Gong Musical Instrument

Gong is very popular as a means of Javanese Gamelan Music. Gong instrument function marking the beginning and ending the piece and gives a sense of balance after the passage of the piece song long sentence. Gong is very important to mark the end unit of the basic tracks, so the group itself (ie sentences between two wasps song gong) is called gong. In addition to the above functions, gong can also serve as an important marker of the President or the person who would inaugurate a new place or organization in Southeast Asia. 
 
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Gong musical instrument composed of two types, ie: 
<ol>
<li>Gong Ageng, is the largest in the Javanese gamelan gong and trusted as a spirit the Gamelan. Therefore, the gong is highly respected. Gong Ageng usually placed behind the Gamelan.</li>
<li>Kempul, is gong hanging that has a smaller size than Gong Ageng. Gong were placed on a rope stretched over a wooden frame (where the wood is sometimes called Rancakan).</li>
</ol>
 Gong Musical Instrument can be divided into several types, ie: Bonang, is a set of gongs consists of ten to fourteen small gongs are arranged horizontally in two rows. There duamacam Bonang, ie: barung Bonang, Bonang ie a medium-sized, high-middle to high octave. Panerus Bonang, Bonang ie small but tinggisatu octave pitch more than Bonang barung. Kenong, is the biggest gong placed on a rope that stretched on wood frame. In some Gamelan, a wooden frame can contain 3 (three) Kenong. Tap and Kempyang. Gong-gong was placed next to Kenong. Tap and Kempyang always placed in a wooden box.

Gong is very popular as a means of Javanese Gamelan Music . Gong instrument function marking the beginning and ending the piece and gives ...

Tambour (Kendang/ Kendhang) Musical Instrument

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Musical instrument kendang / Tambour / kendhang are played traditional musical instruments in a way like the percussion hit. Kendang made of wood with a membrane (membrane), and the Tambour also shared some parts, small Tambour called a tambourine, medium and large Tambour called redap. For Tambour sounds, simply use the hand or paddle Tambour. Function as a determinant of the Tambour tempo of music to accompany the dance or martial arts, Tambour also used to accompany the bridal procession, a ceremony welcoming guests, even the Tambour was also used as a major instrument in the process of recording a song dangdut than distilled. Regarding the origin of the Tambour may have a story for each region respectively, as almost all places have musical Tambour, just names and forms are different. For example, people often refer to Tambour java and there is also a Tambour called Sunda. Type of Tambour is usually found tiong Kendhang or Tambour and kendang hardrah measles. Tiong tambour or Tambour measles has long cylinder tube, usually 21-40 cm, while the Tambour hardrah shorter cylinder tube is 15-30 cm. How to use the kendang in time by hand without any tools. Tambour has many functions, such as a dance accompanist Pencak Silat, host tempo or dynamic affirmation of an <a href="http://mmusic-zone.blogspot.com/2012/10/what-is-orchestra.html">orchestra</a>, or often only as a complement to further enliven the atmosphere.

Musical instrument kendang / Tambour / kendhang are played traditional musical instruments in a way like the percussion hit. Kendang ma...

Country Song

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A style of music with vocals from America, first developed in the village, sung by the travelers, herdsmen and workers. Popular country music since 1940. In the 1950s Elvis Presley American country with the theme song about love and meek heart. The rise of the country in the 1970s, which affects the development of country music. 
 
Variety rural rhythms of American tradition begun development this time the West began much raised again. Vivacious vocal style and is delighted to be the hallmark of country music. With striped clothing, country singer to the accompaniment of <a href="http://mmusic-zone.blogspot.com/2012/10/unique-musical-instruments-in-world.html">musical instruments</a> such as <a href="http://mmusic-zone.blogspot.com/search/?q=guitar">guitar</a>, banjo, fiddle will each air-said-replication. 
 
For example, country songs are Take Me Home Country Road (John Denver), Amanda (Waylon Jennings), Cold Cold Heart (Hank Williams), How Forever Feels (Kenny Chesney), I Do (Paul Brandt), etc.

A style of music with vocals from America, first developed in the village, sung by the travelers, herdsmen and workers. Popular country...

Influence of Music Against Children

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Music is a powerful medium for children to help him to be more calm in expressing things that are (usually) hard they say. With music, a child can express his emotions were tumultuous. Various research studies have repeatedly shown that children can be influenced by the music they hear. Sometimes, a child listening to music that is not in accordance with their age. Given the extraordinary power of music these days, parents need to monitor and choose what their children hear. 
 
Here are some interesting tips that can be used as an alternative to control and monitor the music for the daughters: 
 
A child usually enjoys the music you choose. Therefore, make sure you choose the music with lyrics (for you) in accordance with the child. At least, when you're with them. 
 
Play your favorite music to be enjoyed with the children. There is a surprising, that so many children can enjoy your first tempo song. Why not share your memories with them. For example: You can start with the classic songs. 
 
Make sure you agree on the kind of lyrics in the music they hear. but, do it in a friendly way to stay comfortable for the child to receive. They may be more open to listen to your opinion. 
 
Every now and then, enjoy music with your child. Playing guitar together or just make rhythmic sounds together can be a medium to get in touch with their feelings and emotions. 
 
If you do not like the message or the lyrics contained in the song, try to open a discussion with your child without being too judgmental. It's important for children to start thinking challenge what they hear. 
 
All of the above certainly will not be possible to do if you hate (for no reason) all the music they choose.

Music is a powerful medium for children to help him to be more calm in expressing things that are (usually) hard they say. With music...

The Expression Sing

A singer should be able to carry a tune very well from a work in the spirit of the song, such as sad, happy, spirit and so on. A happy song should also be accompanied with a happy expression or movement anyway. Singing with the 'feeling' means singing with 'heart'. Before singing the song, it would be nice if it would live up to what was sung. Because as long as the content of the song singing must live with the feeling / heart. Many singers focus on himself, not the song being sung. 
 
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No chants performed expressive remembering songs are sung, especially when he read his poetry. Therefore, before performing, memorize lyrics be sung. Having memorized the lyrics, understand exactly what the message is in the song, and then understand the meaning and message, make sure your basic soul song of sadness, anger, excitement, joy and so on. 
 
After successfully animates lyrics, sing the melody without any rhyme with integrated fixed on the basis of an interpretation of the poem the soul. Having mastered a song lyric, there is still one factor that must be passed is the musical accompaniment of useful functions to bring in a more profound sense. When singing to the accompaniment of music, united feeling song with musical accompaniment atmosphere.

A singer should be able to carry a tune very well from a work in the spirit of the song, such as sad, happy, spirit and so on. A happy song ...