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The Steps Composing a Rhythm

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Based on the theory of making rhythms on <a href="http://mmusic-zone.blogspot.com/2012/12/modern-harmony-non-classical-music.html">Modern Harmony</a>, then steps composing a rhythm as follows: Sing a song to find a motive in rhythm. The song has a simple rhythm pattern because it uses only the shape and not the value of a full, half, quarter and eighth. Note values are not too difficult to sing and play using instruments. One of the things that might require vigilance is present in significant ligatura played serialized. Make it fit with the idea of a musical rhythm owned. Keep in mind that in the song are frasering or sentence structure. 'All I am' has a shape that is not symmetrical, as in the song there is one sentence that consists of 4 (four) and there are bars which consists of 6 (six) bars. The first exercise, make a well in the four-bar rhythm and six bars depending on number of bars in every sentence song, remembering melodies in the original song. After finding a rhythm pattern and then write into the stave. Make some rhythm patterns that can select a motif in accordance with the original song. If the song is not there syncopated rhythm patterns should not make that much use of syncope so that no change character original song. Read the rhythmic pattern that has been in written repeatedly to master<a href="http://mmusic-zone.blogspot.com/2012/12/examples-of-rhythm-patterns.html"> the rhythmic pattern</a> in it without text. Hopefully useful ...

Based on the theory of making rhythms on Modern Harmony , then steps composing a rhythm as follows: Sing a song to find a motive in rhyt...

Read Musical Notation

Inside there is plenty of music notation symbols, tones or scales. <a href="http://mmusic-zone.blogspot.com/2012/12/read-musical-notation.html">To Read Musical Notation</a>, we need to learn the correct notation reading system, among other things: 
 
Fixed do is a system do remain, meaning the tone c in any scales always read 'do'. For example, in D major scales in the following: 
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Movable do is systems do move, do not necessarily mean tone on tone c but it can move according to scale. This system is more widely known one in the world our music education, so that the resulting terms tones 1 = G, 1 = D, and so on. For those of us who embrace the system is more advantageous because we can quickly detect the interval scales. 
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Specifies the tone that will be developed into a melody can be preceded by a rhythm pattern making. Rhythm patterns can be developed starting from the simple to the complex level, simple level, meaning the value of the tone using the form of notes, for example, not whole, half, quarter and eighth. While the complex rhythm patterns typically use a lot of syncope, in addition to using the shapes as small as one-sixteenth notes, triplets small and large, or perhaps quarterly or quintals, and others. 
 
Keep in mind that a good rhythm pattern is not necessarily complicated and difficult to play. Instead of simple rhythmic pattern is not necessarily unattractive. The beauty of the melodies that form of rhythmic pattern is not determined by simple and complex rhythms arranged. 
 
The beauty of the melody is determined by several things, such as: Compliance with the character of the song melody, meaning that if an improvised song is a melancholy song, the rhythm pattern is also simple and does not require a small value such as one-sixteenth tone or even 1/32. Prepared rhythm patterns and rhythm patterns should be similar to the song that will be improvised.

Inside there is plenty of music notation symbols, tones or scales . To Read Musical Notation , we need to learn the correct notation reading...

Modern Harmony - Non-Classical Music

One of the skills required in the game of non-classical music, and shall be held by each musician is improvising. This is one thing that distinguishes between games classical music in general and non-classical musicians. Because of this ability must have, it is necessary to master the basic techniques of stock improvise. This capability is in addition to working to develop musical skills are also highly demanded by the workplace non-classical music. Improvisation means developing a melodic tones of a chord scales. Improvisation is the ability to be owned by non-classical musicians. In some repertoire, often required not be the same as the original song, but sometimes prosecuted the same as the original song. The song has been determined chord analyzed, because basically every level chords each have scales. The tones in the scales are then strung together to form a new melody which is the development of tones in a tone ladder. Mastering the scales every chord in a song is the provision of individual identity in improvising. Musicians may not be able to improvise if not controlled and chord progression which is on a track. The names of the chords 7 (seventh chords) in the C Major scales, are as follows: 
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Level I chord (Cmaj7) has the same tones with C Ionian scales, as follows: 
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Chord level II (D-7) has the same tones with d dorian scales, as follows: 
 
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Chord level III (E-7) has the same tones with e Phrygian scales, such as the following: 
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Level IV chord (Fmaj7) has the same tones with f Lydian scales, such as the following: 
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Level V chord (G7) have the same tones with g myxolydian scales, as follows: 
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Level chord VI (A-7) has the same tones with a aeolian scales, such as the following: 
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Chord VII level (B-7b5) has the same tones with b locrian scales, as follows: 
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One of the skills required in the game of non-classical music, and shall be held by each musician is improvising. This is one thing that d...

The Steps Compose Arrangements SATB Choir

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The first step is to determine in advance based on the chord bass set. Make the movement as opposed to the voice melody Soprano (principal melody). For example, the movement of the barline first soprano melody rises, it is recommended that you make a move bars bass on first down. Carefully avoid Kwint parallel and parallel octaves as described earlier. Once completed to determine the bass, try to sing in order to know who sings the melodic so people will feel 'bad', not merely compose tunes to complete the specified chord. This is called horizontal consideration. Step two is to determine the middle voice, the alto or tenor. Try interval / distance between the soprano and alto tone is recommended for no more than one octave, as well as between the alto and tenor voice. Sedangakan interval for tenor and bass may be more than one octave as shown in the previous example. Keep vertically, the notes can be as complete as possible in accordance with type chord. Dual tone priority to the basic tone, the second priority for tertsnya interval. For example, the C major chord, the first priority of doubling the pitch c, and second priority to tone e as described above in the description of the material. It is intended that the chord quality is maintained and no interpretation mnimbulkan another chord. Tone sequence from top to bottom is the soprano, alto, tenor, and bass. If found alto voice lower than the tenor voice, or a voice lower than the tenor bass sura, it is referred to as overlapping. This is as far as possible be avoided. It is intended in addition to aesthetic considerations of writing but more importantly that each type of sound is not clear or fuzzy. All the melodies for each type of voice is the voice suggested that 'real', that sounds alto, tenor, and bass must be sung with the 'bad' and as if a new song is sung together. Therefore repeatedly sing the melody of sounds that you can make to impress melodic always appear, not only vertical considerations alone. If a sentence song needs emphasis or assertion can be arranged in unisono.

The first step is to determine in advance based on the chord bass set. Make the movement as opposed to the voice melody Soprano (princip...

The Types of Cadences

Cadence is a way of ending a composition work with a variety of possibilities as the final chord of a song phrase. Cadence is determined by the melody of the song to be arranged, because basically the arrangement also makes accompaniment. Variety chord as the end of a phrase determines the type Cadence as follows: 
<ul>
<li>Perfect Cadence is cadens perfectly with the chord sequence level IV-V-I. In lagulagu pop chord progressions to get to meet a lot of this type.</li>
</ul>
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<ul>
<li>Half Cadence, is a type of chord progressions cadens having V-I levels. In the example below the song at the end bars are the 3rd and early 4th bars.</li>
</ul>
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<ul>
<li>Plagal Cadence, this kadens type of level IV chord progressions - I.</li>
</ul>
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Cadence is a way of ending a composition work with a variety of possibilities as the final chord of a song phrase. Cadence is determined b...

Techniques for Arranging Choir

In writing, <a href="http://mmusic-zone.blogspot.com/2012/12/satb-choir-arrangements.html">SATB</a> arrangement not allowed to happen overlap between soprano voice, alto, tenor, and bass. In addition, the choir arrangement, parallel octaves Kwint and should not be allowed because the two types of sound can move on their own to be bound freedom: Example: 
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Right Arrangement: 
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Here is a parallel wrong: 
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Note the tone of the second and third in the soprano, and the tone of the second and third on the bass, look parallel. Arrangement should be arranged as follows: 
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Parallel is not allowed anymore is parallel to the octave soprano voice and bass. This means that the doubling melodic sound, then these should be avoided. example: 
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Arrangement should be as follows: 
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In writing, SATB arrangement not allowed to happen overlap between soprano voice, alto, tenor, and bass. In addition, the choir arrangement...

SATB Choir Arrangements

Before making arrangements, let us consider the basic provisions SATB the choir arrangements. Writing in block notation: Soprano and tenor written stalk upward direction and Alto and bass written stalk downward direction. Sets the tone: The essence of creation is to determine the arrangement based on the chord tone is established. 
 
To determine a good tone Watch for are: 
 
1. The first priority, the basic tone. 
 2. The second priority on Kwint tone. 
 3. Not recommended in tone terts (distance to three), 
4. Distance tone on each type of voice. 
5. Keep your distance / interval Soprano to Alto, Tenor and Alto with no more than 1 octave. Consider the example of the song the first bars following: 
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C Major </div>
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The interval between the soprano and alto tones e1 and c1 is not more than 1 octave, even less than 1 octave, the interval between the alto and tenor tone g and e1 is also less than 1 octave. 6. Distance tenor to bass may be more than one octave, for example: 
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C Major</div>
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Before making arrangements, let us consider the basic provisions SATB the choir arrangements . Writing in block notation: Soprano and teno...

Signs of Accidental

Accidental signs is a sign which can change the pitch in one measure. These markers are no longer valid in bar next. To better understand this accidental marks should track above the first song sung with the right intonation. 
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At the time signatures into three, four, and six are signs that serve to lower mole half tones. In bars third and four, tone marked mol b after being bes. While the tone of a six-bar to turn into aces. Each tone to be awarded with the name mole plus ice, but the tone's a plus. Similarly, the sharp sign, sign moles also only applies to one measure. In terms of international standards, the tone marked mol / flat name plus a flat, eg b to b flat.

Accidental signs is a sign which can change the pitch in one measure. These markers are no longer valid in bar next. To better understand th...

3/4 time signature

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Time signature 3/4 in popular music known as rhythm Walz, but today rarely use this time signature. In music theory, classification time signatures are divided into two, namely the simple time signatures and time signatures stacking. 
 
Simple time signatures such as: 2/4, 3/4, 4/4. While time signatures which is an array of two or more time signatures such as 6/8 time signatures consist of two 3/8, time signatures 9/8 is an arrangement of three time signatures 3/8, and others. 
 
Time signatures are actually more focused on writing techniques. For example, the song that marked the actual measures of ¾ can be written in time signatures 3/8, 4/4 time signatures written in 4/8.

Time signature 3/4 in popular music known as rhythm Walz , but today rarely use this time signature. In music theory, classification time ...

Time Signature 4/4

In the songs (popular), time signatures that we often encounter is a sign that measures of 4/4. Rhythm Rock'n Roll, Bossanova, Cha Cha, Rumba, Samba, Jive, etc. are some examples of the marked rhythm measures of 4/4. 
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In material form and note values that note as described above notation is a quarter note. In bars above there are four quarter notes, if denoted are: 
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Songs marked with bars 4/4 when aggregated in one measure has four quarter notes. It does not mean in any time signatures in one song only terdapt not sepempat but can consist of eighth notes, sixteenth, half, or full notes. Let's look at the bars to this: 
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Not in bar consists of two kinds of notes are eighth notes and half notes. 
Mathematically equal to: ? +? +? +? = ¼ + ¼ 
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In the second bars are half tones: ½ = ¼ + ¼ 
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Thus the two bars into an analyzed also contained four quarter notes. In the next barline although the shape and value of the notes is different from the first and second bars but when analyzed not sure there are four intersections. 
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Last time signatures are full notes/ intact. In time signatures 4/4 time signatures are half term (half bar).

In the songs (popular), time signatures that we often encounter is a sign that measures of 4/4. Rhythm Rock'n Roll, Bossanova, Cha Cha, ...

Staves and Key Signature

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The line is used for the tone and rhythm of writing. The difference, are required to write key (clef) to determine the tone name listed on the stave, rhythms while writing is not required because the key signature notation played not pitched. 
 
Key Signature 
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Key G serves to set the tone of G contained in the second line from the bottom or from the top line to four. 
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The key signature serves to set the tone of F contained in the fourth line from the bottom and top of the line into two. The names of the tones by frequency are as follows: 
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Stave notation above there are two key signs that the key of G and F keys The notation above shows that the key of G, and F keys are related and show that the notes in the key of F lower than the notes contained in the key of G. The names of tune arranged sequentially to clarify the position of the tone notation in the stave. 
 
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Signs are the key of C 5 (five) types are distinguished from the key mark the location on the stave. Tone is located in the front center of the notation is c1, the next pitch adjust according to the position / location of the tone that will affect the high and low tones. Because it can move, the key is often called movable clef. Key signature is usually only used for writing instruments viola and cello. 
 Form and note values 
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Form silent mark 
 
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intact 
 
half 
 
fourth 
 
 
eighth 
 
 sixteenth

The line is used for the tone and rhythm of writing. The difference, are required to write key (clef) to determine the tone name listed on...

Song Speeds - Tempo

In music, the song is called tempo pace. Many songs are upbeat, and some are a slow or moderate. While the words that express high tempo song called term. Terms Tempo In general, there are 8 main tempo term that is often used, and the rest is the development of the term date was: Speed                    Terms Tempo                    Metronome 
 Very slowly           Largo and Lento                   40 - 60 and 60 - 66 /minute 
Slow                    Adagio                                 66 - 76 /minute 
Medium               Andate and Moderato           76 - 108 and 108 - 120 /minute 
Fast                    Allegro                                120 - 160 /minute 
Very fast              Vivace and Presto               160 - 184 and 184 - 208 /minute 
 
Furthermore, the tempo of the song, is a combination of the above terms. Eg: Allefro Vivace, which means faster but less Allegro Vivace. There is also adding several other terms, such as: 
<ul>
<li>con amore - with great love</li>
<li>con brio - with life</li>
<li>Fiesto con - with a rousing</li>
<li>espressione con - with feeling</li>
<li>con dolore - with sadness</li>
<li>Maestoso con - with grand</li>
</ul>
Example: Alloy adagio and maesto. It also can add the suffix-Etto which means "rather". If allegro means fast, it means then Allegretto means rather quickly, and allgrissimo means very fast.

In music, the song is called tempo pace. Many songs are upbeat, and some are a slow or moderate. While the words that express high tempo ...

Barline, Rhythms, and Nature of Songs

On the sheet music of a song is usually listed an early sign pre-tone. This sign is known as a sign barline. Barline sign usually consisting of two figures, one figure above the third line, and the other numbers on the third line below pre-tone. 
At the time signature numbers above stated amount of tap in units of one measure, while those below indicate note values the tap unit. 
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For example: Signs barline 3/4, that means there are 3 tap tap notes in denominations of 1/8. Keep in mind that, unlike the three tap three notes. Barline 3 tap may consist of 3 notes, 4 notes, 5 notes, or just one note. The most important thing on a barline sign means each barline has a tap number (not value) to be the same but the number could not differ. Rhythm is a musical movement that runs regularly. This causes irregular motion pop song be heard and felt. Rhythm associated with short-term notes, and light-weight stress or accent on the note. Signs barline can often indicate the nature of the particular song tempo or speed of the song. Often many of them think, that marks the barline with larger numbers sung or played with a lighter and faster, while lower numbers Kevil sung or played with heavier and slower.

On the sheet music of a song is usually listed an early sign pre - tone . This sign is known as a sign barline . Barline sign usually consi...

Dynamic Song

Dynamic song here is a sense of power, which is when they sing or play music should pay attention to the power of each tone. Maybe in certain parts need to be sung / played strong and the other part was sung / played with more subtle. Hard soft on a song called dynamic song. Dynamic track is determined by several factors, one of which is the term dynamic. The term dynamic is in the form of letters stands. If such an image is called dynamic marks. Basically there are two dynamic terms,  forte = strong, and piano means soft. Forte shortened to f, while the piano shortened to p. Abbreviation is always written in lower case. Regarding the strong and soft, there are several levels, namely:   
f = strong ff = stronger than f fff = stronger than ff mf = somewhat strong, or less powerful than the f (mezzo forte) 
 
p = soft pp = softer than the p ppp = softer than pda pp mp = slightly soft, or less soft than the p (mezzo piano) 
cresc (crescendo) = the longer the stronger. decresc (decrescendo) = the longer the more tender. 
 The sign for the crescendo and decrescendo expressed in the picture: 
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Dynamic song here is a sense of power, which is when they sing or play music should pay attention to the power of each tone. Maybe in certai...

Piano Chromatic Scales

Scales consist of tones within -1 / 2, for smooth motion thumb under the other fingers while playing the piano. In the chromatic scales there are several kinds of fingering, but that is often used is: 
 
1. French Way 
If moving the opposite, then: 
Right / Left: 
<ul>
<li>the two white keys, successive: finger-1 and-2.</li>
<li>the black keys of finger-3.</li>
<li>on the white keys of the fingers to-1</li>
</ul>
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2. England Way 
As in the French way, except: 
Right:    2      3      4 
            gis    a      ais 
 
Left:  fis    g     gis 
          4     3      2 
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3. Germany Way 
If the opposite motion, then: 
Right / Left:  
<ul>
<li>the two white keys, successive: finger-3, and to-1.</li>
<li>the black keys of finger-2.</li>
<li>on the white keys of the fingers to-1.</li>
</ul>
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To play and train these chromatic scales, usually just 8 octaves. At the same fingering necessarily unidirectional movement of any note, but must begin with a finger by way of the French, English, or German. 
 
At the opposite motion, if it starts with both hands on the tone D or As, hands move symmetrically, it can begin to train both chromatic scales first.

Scales consist of tones within -1 / 2, for smooth motion thumb under the other fingers while playing the piano . In the chromatic scales ...

Fingerings Scales for Piano

The placement of the fingers in playing <a href="http://mmusic-zone.blogspot.com/2012/11/new-scales-on-piano.html">piano</a> is very important, both on a technical exercise ordinary scales or composition. If it is trained, consequently, it will be easier when playing. Consider this carefully finger placement and give some finger marks. To practice scales and tritone, could use a quick rule of finger marks. 
 
Elaborate techniques on how to play scales and tritone depend on practical methods you use. 
 
<div style="text-align: center;">
Finger marks in the major scale</div>
 
If the gamut from the white notes: 
Right up, left down: 1 2 3 1 2 3 4 1 (or 5, when turning) 
Except: 
Right scales F, and left scales B: 1 2 3 4 1 2 3 1 (or 4, when turning) 
 
If the gamut from the black keys: 
Right up, left down: after the black notes, white notes are played with the first finger of unity (thumb). 
 
Finger marks in the minor scales: 
1. If the gamut from the white notes: then, finger marks with white notes in the major scale. 
2. If the scales ranging from black note: the same with the black keys on a major scale. 
Except: 
Ais harmonic minor scales, where the tone gisis (white notes) was applied to the finger-3, not finger-1. 
 
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Some melodic minor scales give a hard time flipping, which is to the right hand: 
<ul>
<li>fis within octave melodic minor</li>
<li>fis-melodic minor is terts</li>
<li>cis within octave melodic minor</li>
<li>cis melodic minor is terts</li>
</ul>
For the left hand: 
<ul>
<li>gis / as-melodic minor is sekst (flips down time)</li>
<li>f melodic minor is sekst (rise time flipping)</li>
</ul>
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The image above shows the "normal finger", apart from the kind of finger marks on the top, there are two finger marks, namely: 
 
Similar finger marks 
Finger marks is more difficult, since this finger sign is based on the same finger, so that the black keys are also played with the thumb. To make it easier to play well in the major or minor scales, then played with the same finger marks: 
right up, left down: 1 2 3 1 2 3 4 1 (or 5) 
 
Natural finger marks 
Sign is based on the position of a finger or fingers of each hand. For example: D major scales, simple and suitable for the right hand, but the left hand does not, more logical if the left hand is also used in finger marks like this: 
 
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The change is only required on some scales and always for the left hand. 
 
Apart from the above alternatives, there is still a kind of relief, that if the scales or tritone start with black keys and white keys keys are played next to curry the 3rd or the 4th. So likewise the reversal, the left hand can play a tone reversal with finger-2, although in previous octaves keys must be played with the third finger, or the fourth, ie Es major scales.

The placement of the fingers in playing piano is very important, both on a technical exercise ordinary scales or composition. If it is tra...

Playing Cello

Body Position 
 
Cello played in a seated position. Weighing supported by an endpin, laid down on the floor, and the bottom is positioned between the knees, while the upper part is positioned in the upper chest. The neck of <a href="http://mmusic-zone.blogspot.com/2012/11/the-cello.html">the cello</a> is placed above the left shoulder. Arc is drawn horizontally across the strings. At first, she used to play with the cellist sitting sideways, because at the time it was considered impolite for women to sit with knees apart before the public. The position does not affect the player's hand to hold the cello. 
 
Very rare to find a player who plays cello upside down: this is usually due to a person's physical disability where the hands or arms would not be able to play the technique of playing in such a position, other than that the cellist also still have to reset the cello (the string positions, bass lines , sound post, fingerboard shape, and the shape is not symmetrical cello). 
 
The position of fingers in the left hand holding the strings is very influential on the resulting tone. The closer to the bridge where the string is pressed, the resulting sound will be even harder, because the vibrating string length becomes shorter. On the neck of the cello, the thumb is placed on the back, the thumb position parallel to the other fingers. 
 
Strings and the thumb is used to generate tones. His fingers are usually held the cello with a curved position, with strings attached to the fingertips. If a finger is required to play two strings to know more, then it can be done using flat. In the game the slower and more expressive, the point of contact between the fingertips and the string can be changed from the nail to the inside tip of the finger, so as to produce a better vibrato. 
 
Vibrato 
 
Vibrato is a small oscillation in a tone, which is considered to be more expressive. It is produced from the rotation of the upper arm bone of the shoulder joint cellist, who will deliver vibration to the forearm. Point the finger contact with the string absorbs this motion which then makes it vibrate. It also influences the position of the fingers that can produce a variety of tones. Vibrato is a key game expressive vibrato playing good technique is an essential element of skill to play a modern cellist. 
 
The decision to use vibrato on how often it is used, is highly dependent on the cellist's own. The lower the pitch, vibrato generated will also be long and slow. 
 
Harmony 
 
Harmony is applied to the cello is divided into two parts, natural and artificial: 
<ul>
<li>Natural harmony is produced by only a little touching (not pressing) the strings with your fingers a certain place, and then play bow (or, rarely, pulling strings). For example, the midpoint of the string will produce a harmony an octave above the strings are not pressed (open string). Natural harmony only produces a tone that is part of a series of harmonies.</li>
<li>Artificial harmony is produced by pressing the strings with a strong and pressing the same string with another finger to the weak. It will be able to produce a tone above middle C. It is usually displayed in a touch tone a perfect fourth above the stopped note, which will produce a tone two octaves above the stopped note, although it can also be played with other intervals. All harmonies produce a sound that resembles a flute, and typically played without vibrato.</li>
</ul>
 
<div style="text-align: right;">
<a href="http://mmusic-zone.blogspot.com/2012/11/playing-cello-part-2.html">to be continued</a></div>

Body Position Cello played in a seated position . Weighing supported by an endpin, laid down on the floor, and the bottom is positioned be...

Musical Instruments Viola

Violin Alto or Viola, has a history similar to the violin. Materially the same viola, with a <a href="http://mmusic-zone.blogspot.com/2012/10/history-of-violins.html">violin</a> but bigger and proportion-proportion is varies. The overall size viola length is between one and four inches longer than the violin, that is 16 inches or 14 cm. Viola small for children, length up to 12 inches or 30 cm the tone is one Kwint point lower than the violin and is usually used as an instrument of harmony, both in the string ensemble and symphony orchestra. Viola gives the impression of bleak and tone in the effect that shows sadness, melancholy song on the character. 
 
Viola held in a way, put the back of the table under the chin, and leaning on his shoulder. Viola is bigger and tuned well tuned one Kwint from one string to string it down. Viola has a warmer tone quality and darker than the violin. Viola is the tone of the coverage area of the tone C (read: small c) to D2 (read: d two). 
 
Various experiments have been done to improve the quality of  viola sound. Among the viola maker is Hermann Rutter's with the "viola alta ', a viola size dummy is 18.9 inches or 48 cm. The instrument was designed for operas of Richard Wagner. Viola Tetis models wider with deeper ribs, designed to achieve a better sound, this is a non-standard size. 
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Experiments acoustic viola contribute to sound quality approaching cello sound. Viola size larger and heavier than the violin technical consequences are more difficult or challenging. Many violinists who played for several months, an increase technical when back on the violin. The four strings tuned in Kwint viola. Tuning this really is a kwin under violin, and an octave above the cello. Four strings tuned to the note C, an octave below middle C, while the next three lower strings tuned higher to G, D, and A. Third tone than C is also present in the violin. Although there are three tone tuned the same as a violin, but the quality of sound different tones and colors. 
 
Most of the viola as well as other stringed instruments have adjuster or a fine tuner, which is used to ensure tuning. This tool can adjust string tension by turning a small knob on the device located on the fastening end of the other strings at the bottom of the table, on the tail piece. Tuning the adjuster is much easier than with the tuning peg. Although it can be used on all four strings viola, but generally only used to tune the strings A.

Violin Alto or Viola , has a history similar to the violin . Materially the same viola, with a violin but bigger and proportion-proportion ...

The Voice and Violin Register

The best characteristics of the violin is a whizzing sound and can be played quickly, can be played with such good melodies for the lyrics of the song. Try creating a nice effect with the following techniques: <ul>
<li>Using a finger without a stick, by plucking the strings; with repeat the same tone or two-tone with quickly, rub the stick on the strings quickly.</li>
<li>Sul panticello, playing with sticks juxtaposed with his camp to produce a lighter sound, a sound like glass.</li>
<li>Col legno, playing with sticks of wood; harmony, by putting the fingers of the right hand on certain parts of the strings to produce a sound that is light, such as the sound of the flute.</li>
<li>Glissando, regular glide of a finger left hand up and down</li>
<li>Strings to produce the tone up and down.</li>
</ul>
Register violin is the highest among stringed instruments, from the tone G (read: small g) to C3 (read: c three). <a href="http://mmusic-zone.blogspot.com/2012/10/history-of-violins.html">Violin</a> held horizontally, the left rear end of the violin section, between the lower jaw bone. The left arm slightly pressed towards the neck, between the thumb and finger joints are long, so that the body of the violin facing toward the audience. Left hand fingers to press the strings, slightly forward. Speed of the fingers to press and release the string will distinguish the sound alignment (corresponding to vibrational clarity). The movement of the fingers is not only vertically but thoroughly so as to play nice with all the finger or fingers are different, the tone is full or half tones can be generated. To produce a chord, obtained by pressing the two strings together and rubbing. 
 
Fingers of the left hand were the symbol numbers 1 to 4.Nomor. Number one for the index finger, 2 for the middle finger, 3 for the ring finger, and 4 for the little finger. Mastery of technique change position quickly and smooth depends  fingering on the strength of his chin and shoulder, as both independent presses and hand tool can move easily along the neck of the violin. Muscles also have to be moved comfortably to avoid problems in the body's movements. <a href="http://mmusic-zone.blogspot.com/2012/10/violin-construction-and-tone.html">For tones</a> higher we also have to change the location of the hand and fingers. Sela fingers to produce low-noise in relation to body parts - related to the first position (the position of the beginning, near the nut). The tones in the same frequency produces a different sound beracam kinds of strings. Changes affect the color of the sound position. Options needed fingering as a basis for the expression violin playing techniques to presents a variety of musical colors. Few continuous motion with feeling, vibrato, enrich music with slight modifications on the high and low tones. This is a kind of expression of violins.

The best characteristics of the violin is a whizzing sound and can be played quickly, can be played with such good melodies for the lyrics...

BasicTraining - Classical Guitar

To play the guitar well, then we should know the parts of the guitar. In
 brief, the important parts of the guitar that we need to know is the 
head, nut, body, tuning key, fingerboard, frets, strings, sound hole, 
bridge, and neck. Once we know the important parts of the guitar so we can know the function of each part. To learn classical guitar, every finger mark and we have a separate function. To more clearly its view the image below: 
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Left finger is marked with a sequence of numbers from 1-4 starting from the index finger. 
 
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And right finger marked alphabetical order p, i, m, a, and ch (pulgar, indice, mid, annular, and chico). 
 
To get the guitar that well then we should pay attention to posture and hold the guitar properly. Here is an example and a few things to note: 
 
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<ul>
<li>Use a high chair without arm fit, which is about 40-50 cm.</li>
<li>Sitting in the front as much as possible of the seat (not leaning back on the back of a chair).</li>
<li>Put your left foot on the foot braces (foot stool) and point straight ahead. Height of foot stool can be adapted to the physical conditions of each of us.</li>
<li>Place the base of the guitar on the left leg, right at the curved section of the waist of the guitar. Neck of the guitar should be tilted upward so that the head of the guitar parallel to shoulder height. It is very necessary to gain optimal coverage and reasonable from our left hand.</li>
<li>Place
 the elbow of the right hand so that your right hand can move freely and
 pressing down the guitar in the style of its own weight.</li>
</ul>
Then train posture is well and carefully, especially on the stage of basic training is to avoid trouble in the next stage. 
 
 
The Right Hand Position 
 
To get a good right hand position, follow the few steps below: 
<ul>
<li>Align all the fingers with palms facing down, set the distance from your wrist to the front panel guitar about as far as 5-6 cm.</li>
<li>Relax your whole finger down from the wrist so that the fingers curved shape. </li>
<li>Without changing the distance from the wrist, turn the direction of the finger so that the palms face front panel guitar.</li>
</ul>
Put your finger on each string in the order: p on strings 6, i in the string 3, string m 2, and a string 1.  
 
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Here are some pictures of the position of the hand-in-hand when viewed from another angle: 
 
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viewed from the position of the right hand face</div>
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The position of the right hand viewed from above</div>
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Keep a safe distance from the ankle to the front panel guitar and crosses to the front panel and a cross between a guitar finger direction p with i, m and a.</div>
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For starters, get a good position and the left hand on the fingerboard accurate bit difficult because the finger is still stiff beginners, it is necessary to pay attention to the instructions dengann trained guide training. </div>
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This image shows the position of the left hand fingers on the fingerboard. For the first time we tried to formulate the position of the left finger (FRET) V-string 3. Make sure each finger pressed to the edges and brackish each placed just behind the segment (FRET) is concerned then try your fingers on the loose.</div>
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This image describes the position of the thumb on the back of our necks. Thumb should be placed at about the middle of the neck, point straight up.</div>
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This image shows the position of the thumb viewed from above, it is the position of the thumb against the finger-2, and this is the focal point of all the finger pressure.</div>
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To avoid fatigue / pain at the base of the thumb we do not have to hit with too strong. With regular practice it will be pried overcome this difficulty. </div>

To play the guitar well, then we should know the parts of the guitar. In brief, the important parts of the guitar that we need to know is t...