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Guitar Arpeggio Technique

<b>Arpeggio</b> is a way of playing a chord with not all at once but one by one. Not all guitarists can play a clean technique. The best way to learn is to first <i><b>sweep picking technique</b></i> is mastered separately after that coordinate. Basically, you have to let the "fall" to choose from string to string as if you strum a chord.<br /><br />Play the following exercises with attention not stalk, stalk down not always played with the thumb (p), with the formation of (p)-(i)-(m), then try anyway formation (p)-(m)-(a). Play the following <b><i>exercises</i></b> with the passage tirando:<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipNe49vpc8j4_UB89-tn45ZWQlhDn7vSzJCLI8lZBS3uFQ3Z1ELn6eMV8jJvx0MIXtH0H8hENEGTkBeZmcT6fE60Jt0CtBHZOlz8xFEKqc2FNTeL1kkelLzfN9Jzy5NDLJn_zT2EJDzLE/s1600/arpegio.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Guitar Arpeggio" border="0" height="60" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipNe49vpc8j4_UB89-tn45ZWQlhDn7vSzJCLI8lZBS3uFQ3Z1ELn6eMV8jJvx0MIXtH0H8hENEGTkBeZmcT6fE60Jt0CtBHZOlz8xFEKqc2FNTeL1kkelLzfN9Jzy5NDLJn_zT2EJDzLE/s400/arpegio.png" /></a></div>
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Do not try to separate the pick stroke! <b>Guitar Arpeggio Techniques </b>seem odd at first, but imagine a Slinky that right hand down from step to step-just let it fall. When doing a sweep of the upstroke, pull up a pick over the strings.<br /><br />Tips to train this arpeggio tones should we pay attention to accuracy, picking techniques, finger position and tempo. we can not just rely on the strength of our left hand finger, between the left hand and the right hand should be balanced. If we only rely on the fingers of our left alone without the support of accurate picking, then the result will not tone that does not sound clear.<br />
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Arpeggio is a way of playing a chord with not all at once but one by one. Not all guitarists can play a clean technique. The best way to le...

Importance of Improvisation in Music

<b>An important note that must be considered in the improvisation:</b><br />
<ol>
<li>Melodies are developed wherever possible different rhythm patterns with an improvised song.</li>
<li>Melodies may also begin before falling in the relevant or appropriate bars in bar.</li>
<li>It is recommended that there is no one measure that was not filled with improvisation, although only one long tone.</li>
<li>The sound of the melody made is the main priority. Therefore you should note sung / played over and over again to make it beautiful, is not monotonous and easy to play.</li>
</ol>
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In music theory<b> </b>or harmony of science there are various ways of writing chord symbols. For example, D minor chord, Dm can be written with the symbol or the harmony of modern science more popular as the D-, or notation frets on the guitar for the guitar to ease the position of the finger.<br /><br />Here's an example of melody chord scales were developed based on the above song for the first four bars were developed based on the pattern of rhythm that has been written above:<br />
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The first song on the bars using scales Islands. Examples melody begins with the second tone is 'd', it's not the first note of the scales c Islands as recommended in the above steps. The pattern is not the same rhythm with rhythm patterns contained in the original song.<br /><br />Shape and tone values including simple, just use the form intermediates and eighth notes. There is no fourth tone of the tone scales c Islands 'f' is used in the example melody. The tones were played on the first bars are not dominated by the tone in the chord Cmaj7.<br /><br />This is to avoid saturation due to the notes in the chord is sometimes block chord is played.<br /><br />Two bars to a series of bars before, because it happened at the bars into two using the same chord-bar chord progression first. First note in bar is not the first note of the scales Cmaj7, but the seventh tone of 'b'. The form and value of the notes no variation to avoid boredom is not one-sixteenth to join the new tone in bar next.<br /><br />There are signs that mean legato tone sounded to two no longer, simply extend the first tone. There is no fourth tone is the tone 'f' used in these bars. The pattern is not the same rhythm with songs and rhythm patterns there are similarities but more a development pattern.<br /><br />Bars to three using the tones in E Phrygian scales. Although the rhythm pattern with the first bars but a slightly different melody used to add color to improvisation and is also intended to avoid saturation.<br /><br />There is no fourth tone of E Phrygian scales, namely 'a' as this sounds harsh tone, just as every fourth tone of any scales. The first tone is the tone used 'd' and not the first note of the scales.<br /><br />Fourth bars using the same chord bars before. However, due to the previous melody connecting the tone used should also be impressed melodic. The first tone is 'b'. The tone is not the first tone in E Phrygian scales. No tones fourth (d) because the tone is best avoided.<br /><br />In principle, the development of melodic improvisation, arranged on chord scales. Musicians who do not master the chords and chord progression may not be able to improvise correctly.<br />
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An important note that must be considered in the improvisation: Melodies are developed wherever possible different rhythm patterns with an...

Practicing Improvisation - Characteristics Chord

<b>Chord progressions</b> in the song <b><i>All I am</i></b> is as follows:<br />
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There are 6 (six) types of chords used in the song above, based on levels are as follows:<br />
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1. C mayor7<br />
2. D minor7<br />
3. E minor7<br />
4. F mayor7<br />
5. G7<br />
6. G sus4<br />
7. A 7<br />
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Above is a seventh chord seventh chords in C major scales. Each type of chord tones contents were analyzed as described earlier material.<br />
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<b>Characteristics Chord</b><br />
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Chord specified in the first bars of the song are C or C mayor7 M7. This chord is a chord I level of the scales of C major, has a tone similar to the scales Islands. In accordance with the above description means the chord is actually not only have 4 tones in C mayor7 but has 7 tones in C Ionian scales. Basically, all the tones in the scales can be played.<br />
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<ul>
<li>Sing with vocals or can also use the tool, the music has been mastered. Play According to the notation scales Islands repeatedly up and down direction.</li>
<li>Avoid 4th tone in each of the scales, because the character of the tone of the 'rough' and there was less soft.</li>
<li>Make the melody of the motif that has been created by The chord scales.<br />The first note of the melody is not the tone of the first cultivated from the scales that song. In dorian scales, the first note is 'd', and therefore the first note of the melody should not 'd', but could be 'e', 'b', or others tone. When the first note of the melody is in for the first pitch of the scales, then the sound will be impressed "saturated" and less beautiful. Contained in bar chord is not a chord first inversion. This means that the tone of 'd' is pronounced by the lowest tone, in a format that is emitted by the band's bass tones. If the chord inversion position, which is used as the bass note should also not be the first note of the melody to be developed. This provision will apply to all scales.</li>
<li>To prove the above information, try practicing with using vocals or instruments that have been in control.</li>
<li>Begin developing melodic tones 'd' it will be able to discern and feel the beauty of his tone when starting to use than 'd'.</li>
</ul>
3rd bars are Em7 chord or E-7, this means that a level III chord of C major scales. The contents of the notes as they appear on the notation Phrygian scales.<br />
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<ul>
<li>Make the melody that was developed based on motives that have been made. Keep in mind that the melody to be made in these bars have nothing to do with the melody in bar first because the song is still in the same sentence or phrase.</li>
<li>Avoid the first note in the scales this be the start of a melody, like what was done in the first bars. This means that the bars of the 2nd should not start improvising with the tone of 'e'. First tone-bar melody is a series of bars before, then consider interval within easy reach of the last note in bar beforehand so that the circuit is melodic tune.</li>
</ul>
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Bars for-4 with bars before the Em7 chord. In general, the same as the provisions of the first bars. Although chord does not mean the same melody and rhythm patterns should also be the same but different recommended, both motifs rhythm and tune. This is to avoid boredom for the listener and for the player himself as improvisator.<br />
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Bars the same six bars to-5. Provisions are the same as the previous bars recommended on the first pitch, tone association with the previous bars, the tone should be avoided, and others.<br />
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7 there are bars all Gsus4 chord and G7. Gsus4 chord is normally used to provide variation before the G7. However, this chord will be discussed further because of its presence beyond the seven types of chord above (non-diatonic chord). G7 is a dominant chord (level V) in C Major scales having myxolydian scales as described above. Just like the other chord, chord also has 7 fruit tones that essentially all the notes can be played. A tone is a tone to avoid the c-4.<br />
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Bars to -8 and 9 using the same kind of chord in bar before. As such provisions are similar to Chord, which has been used in previous bars.<br />
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To -10 bars are chord C7 / G C7 chord point but the tone is essentially the position of G. His tone made up of g, bes, c, and e.<br />
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Barline to-11 there Fmaj7 chord. This chord is a chord progression from level IV C Major scales. Fill in the same tone Lydian scales. In general terms each chord with another chord tone regarding the four that should be avoided, the first note in the melody is not recommended for use as the first note in improvisation, and the level of kemelodisannya so beautiful when played, and associations with previous bars.<br />
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At the time signatures to -12 and 13 no new chords, all discussed above. Note melody, and connection to the previous chord tones used at the beginning and avoided tone played so impressed beautiful tone.<br />
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Bars 14 in the knock to -3 are A7 chord. Chords are included in non-diatonic chord, meaning will be discussed in a separate matter.<br />
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To -15 bars and 16 use the same chord-bar-bar before.<br />
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To -17 bars, there are two types of chords are Dm7 and G7. Dm7 been discussed before. G7 chord is a dominant chord that usually moves to Tonika (level I), the C Major chord which is the first level of chord C Major scales.<br />
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To -18 bars there Cmaj7 chord. Fill in the same tone scales Islands. Terms improvisation with Chord else already learned before. Keep in mind that this is the end of the sentence-bar song. In the study of musical form analysis, it is the responsibility but the melody line played should not end with the first note (c). So you can use a different tune if they are still a tone in the chord scales.<br />

Chord progressions in the song All I am is as follows: There are 6 (six) types of chords used in the song above, based on levels are as...

Examples of Rhythm Patterns

<b>Rhythmic pattern</b> above is not the same as the existing rhythm patterns on the song <i>'all i am - heatwave'</i>. <span class="" id="result_box" lang="en"><span class=""></span> <span class="hps">Tone</span> <span class="hps">values</span> <span class="hps">above</span> <b><span class="hps">the</span> <span class="hps">rhythmic pattern</span></b> <span class="hps">is not too</span></span> difficult to play because it uses only the shape and not the value of a quarter, and eighth. Value is still not easy to sing and play musical instruments. Keep in mind that unless complicated<b> rhythmic pattern</b> is hard to sing and play well does not necessarily guarantee a higher value than the beauty of a <b>simple rhythm patterns.</b><br /><br />The song <i>'all i am - heatwave' </i>has been determined that almost all of them use the chord seventh chords. Each chord has been known to pitch ladder. To be able to improvise a song, one important thing to master is to analyze the type akornya chords and scales, and chord progressions.<br /><br />Songs above have bars 4/4 and pitched the base do = C. This means that the chord is a C chord level I (first) of the song, possess the same tone with the Ionian, D chord is a chord level II (the two) has a tone similar to dorian, E chord is a chord level III (the third), has the same tone with the Phrygian, and so on as described above matter.<br />
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Rhythmic pattern above is not the same as the existing rhythm patterns on the song 'all i am - heatwave' . Tone values above ...

Modern Harmony - Non-Classical Music

One of the skills required in the game of<b> non-classical music,</b> and shall be held by each musician is improvising. This is one thing that distinguishes between games <b>classical music in general and non-classical musicians</b>. Because of this ability must have, it is necessary to master <i>the basic techniques</i> of stock improvise. This capability is in addition to working to develop musical skills are also highly demanded by the workplace<b> non-classical music.</b><br /><br />Improvisation means developing a<i> melodic tones of a chord scales</i>. Improvisation is the ability to be owned by <b>non-classical musicians.</b><br /><br />In some repertoire, often required not be the same as the original song, but sometimes prosecuted the same as the original song. The song has been determined chord analyzed, because basically every level chords each have scales. The tones in the scales are then strung together to form a new melody which is the development of tones in a tone ladder.<br /><br />Mastering the scales every chord in a song is the provision of individual identity in improvising. Musicians may not be able to improvise if not controlled and chord progression which is on a track.<br /><br />The names of the chords 7 (seventh chords) in the<b> C Major scales</b>, are as follows:<br />
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Level I chord (Cmaj7) has the same tones with <b>C Ionian scales</b>, as follows:<br />
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<span class="" id="result_box" lang="en"><span class="hps">Chord</span> <span class="hps">level</span> <span class="hps">II</span> <span class="hps atn">(</span><span class="">D</span><span>-7)</span> <span class="hps">has</span> <span class="hps">the same</span> <span class="hps">tones</span> <span class="hps">with</span> <b><span class="hps">d</span> <span class="hps">dorian</span> <span class="hps">scales</span></b><span>,</span> <span class="hps">as follows:</span></span><br />
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Chord level III (E-7) has the same tones with <b>e Phrygian scales</b>, such as the following: <br />
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Level IV chord (Fmaj7) has the same tones with<b> f Lydian scales</b>, such as the following:<br />
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Level V chord (G7) have the same tones with <b>g myxolydian scales</b>, as follows:<br />
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Level chord VI (A-7) has the same tones with <b>a aeolian scales</b>, such as the following:<br />
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Chord VII level (B-7b5) has the same tones with <b>b locrian scales</b>, as follows:<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_NtmHbIEbJTd-QLBEeVoRPDWt52oZAenEQYnr3WaXX5ML8VCVgx3XL3vi5tCrt0X0sYKgZM4Te4MyIWlUX9XRQk-43v1Av6e0oxouBNljGNb8RYDD8Wcze5oUcAS0nIFeMFD878p7_a4/s1600/b+locrian+scales.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="b locrian scales" border="0" height="103" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_NtmHbIEbJTd-QLBEeVoRPDWt52oZAenEQYnr3WaXX5ML8VCVgx3XL3vi5tCrt0X0sYKgZM4Te4MyIWlUX9XRQk-43v1Av6e0oxouBNljGNb8RYDD8Wcze5oUcAS0nIFeMFD878p7_a4/s400/b+locrian+scales.png" /></a></div>
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One of the skills required in the game of non-classical music, and shall be held by each musician is improvising. This is one thing that d...

Minor Scales

<b>Minor Diatonic Scale</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAtt-4yHJGXp4_SnSt61c_4d4NkSfdrnqENG3zLiNG3QuxLm0Ow3y32KbsF0C0_WqME3FLjZhfC_DLxJSRgN4XOPNr6uAsx6k34JB7U3ys8Wh_PP3A7QxcMFWCzcitU1ZHKu-Rs31Rh1k/s1600/Minor+Diatonic.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Minor Diatonic Scale" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAtt-4yHJGXp4_SnSt61c_4d4NkSfdrnqENG3zLiNG3QuxLm0Ow3y32KbsF0C0_WqME3FLjZhfC_DLxJSRgN4XOPNr6uAsx6k34JB7U3ys8Wh_PP3A7QxcMFWCzcitU1ZHKu-Rs31Rh1k/s1600/Minor+Diatonic.png" /></a></div>
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<b><span class="short_text" id="result_box" lang="en"><span class="hps">Harmonic</span> <span class="hps">Minor Scale</span></span></b><span class="short_text" id="result_box" lang="en"><span class="hps"><b> </b></span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxA2YW-YB4gRntlZEl-MUMzPuz8axzcgY1sMnf_Gif9HJo1_qSS166hz86EhPyfaTzDqFjmevrqMKfvYUtVMNbv4HjOHIMKoySPXlbVoB53gGuEo0oTzwqMhV59nmEuYZ8i-xlrswx3cU/s1600/Harmonic+minor+scale.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Harmonic Minor Scale" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxA2YW-YB4gRntlZEl-MUMzPuz8axzcgY1sMnf_Gif9HJo1_qSS166hz86EhPyfaTzDqFjmevrqMKfvYUtVMNbv4HjOHIMKoySPXlbVoB53gGuEo0oTzwqMhV59nmEuYZ8i-xlrswx3cU/s1600/Harmonic+minor+scale.png" /></a></div>
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<b><span class="short_text" id="result_box" lang="en"><span class="hps">Melodic Minor Scale</span></span></b><br />
<span class="short_text" id="result_box" lang="en"><span class="hps">Up:</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghOoFIDf6DiWqum6AT2M3Kp5rkR1uTf_jNnq-6G4htBR0VybhIaimBMThXs8eWMQ6YsunZdFcPMOylPmCvnhdibEz45nWvTITx_jg1XSLzVI9wVh_4sxK-flZkWpSGHsgs67sZxJ_YOyY/s1600/Up+minor+melodic+scale.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="up Melodic Minor Scale" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghOoFIDf6DiWqum6AT2M3Kp5rkR1uTf_jNnq-6G4htBR0VybhIaimBMThXs8eWMQ6YsunZdFcPMOylPmCvnhdibEz45nWvTITx_jg1XSLzVI9wVh_4sxK-flZkWpSGHsgs67sZxJ_YOyY/s1600/Up+minor+melodic+scale.png" /></a></div>
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<span class="short_text" id="result_box" lang="en"><span class="hps">Down:</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhk7gber_A16ln5VWv6OobFfNt7n9s722AwCt06qhCXQepy241VOBqGhCIuf2sm5uSdMUK4Mmj5cme2j60rMrUAEkWl15o38p5O3wTV-dtiokJnjk49uRoKK-Ukz_6JgbvKhrX78zNVpxI/s1600/Down+minor+melodic+scale.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="down Melodic Minor Scale" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhk7gber_A16ln5VWv6OobFfNt7n9s722AwCt06qhCXQepy241VOBqGhCIuf2sm5uSdMUK4Mmj5cme2j60rMrUAEkWl15o38p5O3wTV-dtiokJnjk49uRoKK-Ukz_6JgbvKhrX78zNVpxI/s1600/Down+minor+melodic+scale.png" /> </a></div>
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The song uses minor scales, can use any type of minor scales, but there is also the use of two or three types at once. </div>

Minor Diatonic Scale Harmonic Minor Scale Melodic Minor Scale Up: Down: The song uses minor scales, can use any type of...

Major Scale (Part 2)

<b>Fis Major Scale (6#)</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2niE5sGrOcCbsj2Xw90Wx1NWQYHTeIBlnZqI68lI0ZgMNH5AIqramOzbai661DWoHioUJkSQ5Lxc49Pv0yz0G0JsK_mS7gXP0KEpzz4YkQhJU9cfDhbGtJ3wHYvsp3Ykaz7RfgXf5kUo/s1600/Fis+major+Scale.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Fis Major Scale" border="0" height="64" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2niE5sGrOcCbsj2Xw90Wx1NWQYHTeIBlnZqI68lI0ZgMNH5AIqramOzbai661DWoHioUJkSQ5Lxc49Pv0yz0G0JsK_mS7gXP0KEpzz4YkQhJU9cfDhbGtJ3wHYvsp3Ykaz7RfgXf5kUo/s320/Fis+major+Scale.png" /></a></div>
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<b>Cis Major Scales (7#)</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3gUriYlk_PCaic1XetQmGv4WPnIxqF_fP9haIQNeZYv0GAQcH6EgJWdwdAVYAIG2VkfHn5PNB-zKwdarqHzyDOjioZIpgwV0_62ek7m0qsiJesrN2XSLVwWY-lyQpcUL4qIPGLFmblRE/s1600/Cis+major+Scale.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Cis Major Scale" border="0" height="78" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3gUriYlk_PCaic1XetQmGv4WPnIxqF_fP9haIQNeZYv0GAQcH6EgJWdwdAVYAIG2VkfHn5PNB-zKwdarqHzyDOjioZIpgwV0_62ek7m0qsiJesrN2XSLVwWY-lyQpcUL4qIPGLFmblRE/s320/Cis+major+Scale.png" /></a></div>
<br />
<b>F Major Scale  (1b)</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-Zc0NK7JFaT9uIAv8tuq4eiF6Qyo6duN_vmRa7eOYQd3xpZgI-_yGr5r57aIgBVtRshliSpgxcQpk9zOjQE0LexaYs6O7PeRxGUrxYfEyT_7W8ul_vs-y2dFI6TsmRKGcUUzXR3KqBGU/s1600/F+major+scale+1b.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="F Major Scale 1b" border="0" height="72" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-Zc0NK7JFaT9uIAv8tuq4eiF6Qyo6duN_vmRa7eOYQd3xpZgI-_yGr5r57aIgBVtRshliSpgxcQpk9zOjQE0LexaYs6O7PeRxGUrxYfEyT_7W8ul_vs-y2dFI6TsmRKGcUUzXR3KqBGU/s320/F+major+scale+1b.png" /></a></div>
<br />
<b>Bes Major Scale (2b)</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKuPzN0WxMXRpbpSlKr_QL96MKCB5ZKXMwVhzeBs-vHj1wDwCAoXThqWgXcs0J3Uu0ZehYQQs6yBYSzL4uLllnQr8WSbYe96G0U-tKHrYuL9kDmidv0OwFgC13xzpWH2MMFIMk8_vy7pg/s1600/Bes+major+2b.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Bes Major Scale" border="0" height="82" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKuPzN0WxMXRpbpSlKr_QL96MKCB5ZKXMwVhzeBs-vHj1wDwCAoXThqWgXcs0J3Uu0ZehYQQs6yBYSzL4uLllnQr8WSbYe96G0U-tKHrYuL9kDmidv0OwFgC13xzpWH2MMFIMk8_vy7pg/s320/Bes+major+2b.png" /></a></div>
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<b>Es Major Scale (3b)</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrfxGr-vH1rH-uPJBrNSiNwhsDNRy6IONJ9f6ZyvFiKqGMVecuOOr6fMi04SVHLwgLypZ8P-SrSfbPU7JtkmPF0RUsYqo9cgn4DgY94p0jOf_eTFP4A9Y6f_ssK-lS3sJQ0hXOPQOFaOU/s1600/Es+major+3b.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Es Major Scale" border="0" height="71" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrfxGr-vH1rH-uPJBrNSiNwhsDNRy6IONJ9f6ZyvFiKqGMVecuOOr6fMi04SVHLwgLypZ8P-SrSfbPU7JtkmPF0RUsYqo9cgn4DgY94p0jOf_eTFP4A9Y6f_ssK-lS3sJQ0hXOPQOFaOU/s320/Es+major+3b.png" /></a></div>
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<b>As Major Scale (4b)</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhby8fTA88H0FgYR3eeI40FunK9ub6FB-E17PFo-5sEgMfYwxjI1rxev0fcgZD_O-IrB2LIi-twTNUc8KOiFD0bSpTsHWQmfZSpEoC5RT-1WGhrp6K89BaCmtpjWhAdRfCcgFeNoFFJoTg/s1600/As+major+4b.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="As Major Scale" border="0" height="73" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhby8fTA88H0FgYR3eeI40FunK9ub6FB-E17PFo-5sEgMfYwxjI1rxev0fcgZD_O-IrB2LIi-twTNUc8KOiFD0bSpTsHWQmfZSpEoC5RT-1WGhrp6K89BaCmtpjWhAdRfCcgFeNoFFJoTg/s320/As+major+4b.png" /></a></div>
<br />
<b>Des Major Scale (5b)</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPCz_qmR_1Eeb_V_ZDORMLoj2sQC34_xpnqzI-2m4lRW7G88QT4BC2UMz_Ous1mmWOHJp2dv912JsQkhdRPNMQqp6PGg0OjPWo13OCnMe3adNBbmu1kgUAkE_h2CScRfq8j48MnpewfsE/s1600/Des+major+5b.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Des Major Scale" border="0" height="72" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPCz_qmR_1Eeb_V_ZDORMLoj2sQC34_xpnqzI-2m4lRW7G88QT4BC2UMz_Ous1mmWOHJp2dv912JsQkhdRPNMQqp6PGg0OjPWo13OCnMe3adNBbmu1kgUAkE_h2CScRfq8j48MnpewfsE/s320/Des+major+5b.png" /></a></div>
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<b>Ges Major Scale(6b)</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaknS3XAVEuMtZ48-33RoNe2-egGZ3QOxjG5lI6IYOeXmveEvWkRJA86lPIMl4cfLAOIJf4I_zlSpdbhHY6b0GLvz0tYns2uz072HnI6t0wIfBGHiY7p4xopZRmGchXERu9_ab3rXW_S0/s1600/Ges+Major+6b.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Ges Major Scale" border="0" height="70" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaknS3XAVEuMtZ48-33RoNe2-egGZ3QOxjG5lI6IYOeXmveEvWkRJA86lPIMl4cfLAOIJf4I_zlSpdbhHY6b0GLvz0tYns2uz072HnI6t0wIfBGHiY7p4xopZRmGchXERu9_ab3rXW_S0/s320/Ges+Major+6b.png" /></a></div>
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<b>Ces Major Scale (7b)</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7eib8eDNPZBbzWl5t2KT5jinM59tWZ7mtrMHRce0AmHVEYs8MsS1XAdcwygxMus3emLfqqKvyea7LDx-xMI2XMazIHQupMyYb5oKEpbrM8TEikbygvbpYOeqykt92dw8QTqfa6voaXPQ/s1600/Ces+major+7b.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Ces Major Scale " border="0" height="69" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7eib8eDNPZBbzWl5t2KT5jinM59tWZ7mtrMHRce0AmHVEYs8MsS1XAdcwygxMus3emLfqqKvyea7LDx-xMI2XMazIHQupMyYb5oKEpbrM8TEikbygvbpYOeqykt92dw8QTqfa6voaXPQ/s320/Ces+major+7b.png" /></a></div>
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Fis Major Scale (6#) Cis Major Scales (7#) F Major Scale (1b) Bes Major Scale (2b) Es Major Scale (3b) As Major Scale (...

Staves and Key Signature

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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWa8htTt4HEAyLkmp0yY-UlkZpKvvaooRLVcbssK7JTMlK9hfBB4VAewXs7oLx7usoGfeXfzqIzUirOu369S5oxgCubfiLDMTRwQ_KZV4jxbrPxOmnhIgtL44nMJ6vFblWuQE39fXHT-g/s1600/pre-tone_non-classical+music.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="pre-tone_non-classical+music" border="0" height="45" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWa8htTt4HEAyLkmp0yY-UlkZpKvvaooRLVcbssK7JTMlK9hfBB4VAewXs7oLx7usoGfeXfzqIzUirOu369S5oxgCubfiLDMTRwQ_KZV4jxbrPxOmnhIgtL44nMJ6vFblWuQE39fXHT-g/s400/pre-tone_non-classical+music.png" /></a></div>
The line is used for the tone and rhythm of writing. The difference, are required to write key (clef) to determine the tone name listed on the stave, rhythms while writing is not required because<b> the key signature </b>notation played not pitched.<br />
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<b>Key Signature</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinniITvlKebjnbBUzWfy89dCUInw5hHaOqCPzkP5lMExhLkAKX9140ulwsjH4HMkvsv43nngnzfIQ03JqxjU1cvXUypMxIiht7J7PwfYn4gOTs2opz2_L2bsRZKK1MItfKT4w5dPhAohA/s1600/key+and+tone+G.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="key tone G" border="0" height="158" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinniITvlKebjnbBUzWfy89dCUInw5hHaOqCPzkP5lMExhLkAKX9140ulwsjH4HMkvsv43nngnzfIQ03JqxjU1cvXUypMxIiht7J7PwfYn4gOTs2opz2_L2bsRZKK1MItfKT4w5dPhAohA/s320/key+and+tone+G.png" /></a></div>
Key G serves to set the tone of G contained in the second line from the bottom or from the top line to four.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcPsJKTQjQCk5S6NTkZwFSIMp4kWL5Krfk-P0aUsyEo3o40LNi2KSHvqpYXrDmW052GUgQ-J7XDbA61HI5Ylxj2_YPBWkhVpans9k0493YLkJLj1_F5qlt_A4IFic89W3kIg08iq_oBZ8/s1600/key+and+tone+F.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="key tone F" border="0" height="146" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcPsJKTQjQCk5S6NTkZwFSIMp4kWL5Krfk-P0aUsyEo3o40LNi2KSHvqpYXrDmW052GUgQ-J7XDbA61HI5Ylxj2_YPBWkhVpans9k0493YLkJLj1_F5qlt_A4IFic89W3kIg08iq_oBZ8/s320/key+and+tone+F.png" /></a></div>
The key signature serves to set the tone of F contained in the fourth line from the bottom and top of the line into two. The names of the tones by frequency are as follows:<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5P8bU02Vux3G2lqOfMGsfyfBLDjIUag-estj_dzaMQ20Mety3CHSDhB__Z_WrE245Re-Ij5xX0PNccoVaOPXLdBBqAe8f_tJrJdTZ8hDLqkoHACVYmJKGsYSUCMoqHQydBWnPt_DQ2hM/s1600/the+tones+by+frequency.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="the+tones+by+frequency" border="0" height="223" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5P8bU02Vux3G2lqOfMGsfyfBLDjIUag-estj_dzaMQ20Mety3CHSDhB__Z_WrE245Re-Ij5xX0PNccoVaOPXLdBBqAe8f_tJrJdTZ8hDLqkoHACVYmJKGsYSUCMoqHQydBWnPt_DQ2hM/s400/the+tones+by+frequency.png" /></a></div>
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Stave notation above there are two key signs that the key of G and F keys The notation above shows that the key of G, and F keys are related and show that the notes in the key of F lower than the notes contained in the key of G. The names of tune arranged sequentially to clarify the position of the tone notation in the stave.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi74wM1RPgZfAPVoCf0-dIwXdmObssO0ipk18HqjXIOaB6dmxH7eznMOnvqMU6r5HG_tfWMc0go8fqt4hEMg1wCdwfLyHhAO-nncYuHAoWWdmFxUqpwRoyRRAP8DcsS-8pOGSkKe8Wk0yk/s1600/key+C.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="alt" border="0" c="c" key="key" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi74wM1RPgZfAPVoCf0-dIwXdmObssO0ipk18HqjXIOaB6dmxH7eznMOnvqMU6r5HG_tfWMc0go8fqt4hEMg1wCdwfLyHhAO-nncYuHAoWWdmFxUqpwRoyRRAP8DcsS-8pOGSkKe8Wk0yk/s1600/key+C.png" /></a></div>
Signs are the key of C 5 (five) types are distinguished from the key mark the location on the stave. Tone is located in the front center of the notation is c1, the next pitch adjust according to the position / location of the tone that will affect the high and low tones. Because it can move, the key is often called movable clef. Key signature is usually only used for writing instruments viola and cello.<br />
<b><br />Form and note values</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlIqQJdsoxGk2GiW_LgDk1J1Ht-yMFKOHBW9ZKrDV0IXkDCS5WHn9y-QMCKZtgDp2VhusIEC5eShCw1JK64xNsgFbPtqaKXJi3i2DSCleUdx0iRvlqR6VVt-rUdGbRwU5z8cipxiLXmcA/s1600/note+values.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="note values" border="0" height="215" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlIqQJdsoxGk2GiW_LgDk1J1Ht-yMFKOHBW9ZKrDV0IXkDCS5WHn9y-QMCKZtgDp2VhusIEC5eShCw1JK64xNsgFbPtqaKXJi3i2DSCleUdx0iRvlqR6VVt-rUdGbRwU5z8cipxiLXmcA/s320/note+values.png" /></a></div>
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<b>Form silent mark</b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizLdCsHrUUwc7gD7jDH8fl1VoH5ml47Km9eV-PX5UyEWEIyIlfK08VZDEKYXaDM9_QXdkWSjtBjK-5HXggrRvWHXfT8wjQQCIQT6X9dBbZPe9hctBsclAYtWpW6Lu6QJ6dHUhVERztGLQ/s1600/Form+silent+mark.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="silent mark" border="0" height="241" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizLdCsHrUUwc7gD7jDH8fl1VoH5ml47Km9eV-PX5UyEWEIyIlfK08VZDEKYXaDM9_QXdkWSjtBjK-5HXggrRvWHXfT8wjQQCIQT6X9dBbZPe9hctBsclAYtWpW6Lu6QJ6dHUhVERztGLQ/s320/Form+silent+mark.png" /></a></div>
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<span style="font-size: large;"><span class="short_text" id="result_box" lang="en"><span class="hps">intact</span></span></span><br />
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<span style="font-size: large;"><span class="short_text" id="result_box" lang="en"><span class="hps">half</span></span></span><br />
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<span style="font-size: large;"><span class="short_text" id="result_box" lang="en"><span class="hps">fourth</span></span></span><br />
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<span style="font-size: large;"><span class="short_text" id="result_box" lang="en"><span class="hps">eighth</span></span></span><br />
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<span style="font-size: large;"><span class="short_text" id="result_box" lang="en"><span class="hps"></span></span><span class="short_text" id="result_box" lang="en"><span class="hps"> </span></span><span class="short_text" id="result_box" lang="en"><span class="hps">sixteenth</span></span></span><br />
<span style="font-size: large;"><span class="short_text" id="result_box" lang="en"><span class="hps"> </span></span></span><span class="short_text" id="result_box" lang="en"><span class="hps"> </span></span>

The line is used for the tone and rhythm of writing. The difference, are required to write key (clef) to determine the tone name listed on...

Intervals, Tones, and Chord

The interval is the distance between two tones. There bnayak interval size that can be used to form a major scale. There are many different types of scales, and everything is based on the interval.<br />
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Sizes varying intervals will provide not only voice sounded different but, it also gives a different impression. To measure intervals mixed tones can be perceived fit (consonant). But the mix of other tunes can be heard less suitable (dissonant).<br />
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The combination of consonant and dissonant indispensable in music. Music that only contained consonant sounds soft and tender. Giving dissonant colors in music making.<br />
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Here is a table of the size of the interval (in semiton), name, and a brief description.<br />
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The name and size of the interval above is very important, especially when making a chord. There are many types of chord, and each is based on a unique formula of combination tone interval. Each interval disukur from the initial tone (tones) of the chord type to be developed.<br />
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For example:<br />
When creating a D chord, then D is calculated as ringing tones initial (basic) in the calculation interval.<br />
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Intervals of the type constructed from the basic tone is known as the (degree). Naming this level is similar to the name of the interval, but the level is more often used as a short penullisannya.<br />
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Here's a list naming and equivalent level intervals and interval size:<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4GNhaRunV39NT83ferpLQN9r2o03M-00BHTpkWmHgzuu_p5kYo4BzVG3b3CIhTxLslPGmAhuem2qRoIV7InshsdlaBFB4r0XBakZfWOexgp3Wm8lNlPWbNXTzEFShDRnSHHY7Rx4_33M/s1600/naming+interval.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="naming interval" border="0" height="350" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4GNhaRunV39NT83ferpLQN9r2o03M-00BHTpkWmHgzuu_p5kYo4BzVG3b3CIhTxLslPGmAhuem2qRoIV7InshsdlaBFB4r0XBakZfWOexgp3Wm8lNlPWbNXTzEFShDRnSHHY7Rx4_33M/s400/naming+interval.png" /></a></div>
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These levels are very important in the preparation of a chord, as in making a major chord, the tone required of levels 1, 3, and 5 of the C major scales.

The interval is the distance between two tones. There bnayak interval size that can be used to form a major scale. There are many different ...

History of Sonata As a Form of Classical Music

The term comes from the Italian <b>sonata</b> = <i>sonare or sounare</i>, which means ring or play. <i><b>Sonata</b> is</i> one of the single parts. There are several terms related but looks to overlap. First, the sonata is a multi-part forms of instrumental music that consists of three or four sub-sections up to five parts. In the first part of the fast tempo, the second slow, the third part minuet and trio, and a fourth part of the cover quickly.<br /><br />As a form of a single piece, a sonata form applied in various compositions solo, chamber music, ensembles, and orchestras. Form sonatas are often used in the first multi-part composition.<br /><br />The pattern of sonata form appears in the works of Haydn and Beethoven instrumental. Works of Gabrieli sonatas, Hayd, Pasquini, Tartini, bach, Turinin, Lizt, Hindemith, Prokofiev Domenico Scarlattim and are different from each other but instrumental sonatas remain an absolute masterpiece, has a function, and consists of several parts that contrast.<br /><br />Terms such as a trio, quartet, quintet, adala etc. sonata involving more than two people. In the works of Renaissance and Baroque sonatas ever used the term replaced by some other term in turns.<br /><br />Partita, lesson, suites and ordre is a form of the same work and is the most important form of instrumental music at the beginning of the 17th century. In earlier times, always refer to the instrumental music vocal music.<br /><br />Determination of the relative and <b>Chord</b>, the keys are clear as dominant, sub-dominant, and the relative major and minor are prerequisites for a form that contrasts tonal centers as patterned contrasting melodies. Sonata-allegro form changes to Vinnese School, through three steps, ie starting from the Baroque, smoking, and <b>Classical</b>.<br /><br />After moving to the rococo baroque and classical sonata character changed drastically, creativity center moved from Italy to Germany, and later became a piano harpsichord replacing violin as an instrument<br />important.<br /><br />Canzona for organ works titled Cavazzoni Faulte d'Argens (1542-43), based on the theme of chanson, Faulte d'Argent works des Pres. From the year 1580, and Canzona shape often used for this type of enssambel instrumental. While the first use of the sonata as a title can be found in the <i>Sonata per Liuto</i> (1561) from the Italian lute player, Giacomo Gorzanis often at identical with Tairan set-dancing pairs.

The term comes from the Italian sonata = sonare or sounare , which means ring or play. Sonata is one of the single parts. There are sever...

Suspended Fourth Chord and Quartal Harmony - The Study of Jazz Music

A chord quite common in much of today’s jazz is the so-called ”sus. 4”. Since the middle 1960s this chord occurs more and more frequently in many different tonal contexts. Sometimes it is used as a substitute for a dominant seventh chord: sometimes it elides into a dominant seventh chord or, on occasion it has a function all its own, outside the dominant – to – tonic harmonic pattern. The chord is most easily visualized as a dominant seventhchord minus the third, with the “sus. 4” taking its placea perfect fourth above the root of the chord:<br />
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<b> EXAMPLE 6</b></div>
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Example 7a illustrates the sus. 4 chordutilized as a dominant replacement moving to tonic major and tonic minor:<br />
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<b> </b><b><b>EXAMPLE</b> 7a </b></div>
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Example 7b illustrates the sus. 4 chord eliding into the “regular” dominant seventh chord, which is then followed by a tonic resolution:<b> </b></div>
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<b>EXAMPLE 7b </b></div>
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Example 7c illustrates the sus. 4 chord unrelated to dominant-tonic movements, but rather as an independent chord with a sequential life generated by root movements other than by syntax is similar to tunes such as “Maiden Voyage.” “Fancy Free” and “Cantaloupe Island".<br />
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<b>EXAMPLE 7c</b></div>
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<b> </b></div>
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<b>Quartal Harmony</b></div>
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A chord closely related to the sus. 4 structure is the quartal , a sonority constructed in perfect fourths. Although quartal harmony could embrace other kinds of fourths as building blocks (e.g. diminished and augmented fourths), it is the perfect fourth that is most often found as the interval upon which these chords are constructed. Quartal harmony as a musical element has been present for most of the twentieth century, but it is only in recent years that is has found its way into jazz. We propose a new system of chord symbols for these structures, since none have been of three picthes, each a perfect fourth apart, the letter (Q) would be placed next to the chord root. Hence:</div>
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<b>EXAMPLE 8a</b></div>
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When a quartal chord is extended past a three-note structure
a small arabic numeral can be utilized next to the (Q) to indicate precisely
the number of notes in the chord.</div>
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<b>EXAMPLE 8b</b></div>
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The following chart list chromatically and in sequence
thirty eight of the most commonly encountered jazz chords. The keys are
indicated down the left side of each page with the chord types listed across
the top. </div>

A chord quite common in much of today’s jazz is the so-called ”sus. 4”. Since the middle 1960s this chord occurs more and more frequently in...