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Mystery Songs of Beethoven: The Genius Composer

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Extraordinary musician, Ludwig van Beethoven was born in 1770 in Bonn, Germany. Of small already evident brilliant musical talent. Beethoven is also reflected in the ability of the music book creations first appeared in 1783. Beethoven learned a lot of famous musicians such as Mozart. His meeting with Beethoven Mozart occurred when a teenager. But it was only brief. <a href="http://mmusic-zone.blogspot.com/2012/10/history-of-classical-music-orchestra.html" target="_blank">Ludwig van Beethoven</a> none other than the great composer who creates his works through a rhythm track. Beethoven was a composer who came from Germany. Many people who claim that he is a genius, because his skills are amazing in the main set the tone. Just imagine the songs coming from the 18th century are still popular today. High sense of Beethoven's music as a piano player is very impressive people who hear. He managed both as a player and teacher. Keep pushing musical ability to create music. Do not stop there, entering their mid-twenties upwards, he was able to publish and sell books his music without any difficulty. When Beethoven lived at the end of the twenties, he signs with hearing trouble began to appear. Of course this is very troubling symptoms of the young composers. Deaf for a music creator truly a disaster. Until one day Beethoven wanted to commit suicide. Fortunately, it did not happen. Between the years 1802-1815, during the mid-career, Beethoven had to rest because the disease is getting worse. It was even difficult to hear. Beethoven confidence began to decline. He was afraid to meet with people and really become a deaf. Never again engaging with the community. But Beethoven still trying to create great works. Works of Beethoven's music continues to grow. Time passed, but the attention it receives more and more reduced. Supposedly, he became a composer who popular. But his work is known only continue towards success. In the forties Beethoven, Beethoven's hearing was not functioning. As a result, he never again appeared in public and getting away from society. The result of his work the less and the more difficult to understand. Since then he created the music but only for himself and some listeners who have an ideal future. He once told a music critic, "this is not my creations for you but for the time after you." Beethoven considered to produce creations that are not just the same as what was produced earlier, but his greatest work. In 1827, he died in Vienna at the age of fifty-seven years. During his life has produced 9 Beethoven symphonies, 32 piano sonatas, five piano concertos, 10 sonatas for piano and violin, string quartet series of stunning, vocal music, musical theater, and more. However, more important than the number of creation is in terms of quality. His work is an incredible combination of deep feeling. Beethoven demonstrate that instrumental music could no longer be regarded as having artistic value number two. It proved that the formulation of the composition of instrumental music that has raised it to a level that is very high artistic value. The following are the works of Beethoven are very popular until now: 
 
<ol>
<li>Moonlight Sonata is a very good song to listen to. Some even say that the melody in this song is able to increase IQ.</li>
<li>Fur Elise song Well this one may not be familiar to your ears because, this song often in the music box.</li>
<li>Turkish March This song has a very fast tempo, it may be very difficult for a pianist to play petty, Turkish march also familiar, because it is often played on tv.</li>
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This title is the German language which means "For Elise". Actually, this song is the popular name of "Bagatelle in A minor", a solo piano music by Ludwig van Beethoven, written around the year 1810. No one can play the song Fur Elise? Beethoven Researchers do not know who exactly is Elise. There is a well-known theory says that in the beginning the work entitled "Für Therese". Therese Malfatti Therese question is Rohrenbach von zu Dezza (1792-1851), a woman who wants to marry Beethoven in 1810. Unfortunately, she marries another man before Beethoven expressed her feelings of love. Therese was the daughter of a merchant from Vienna, Jacob Malfatti von Rohrenbach (1769-1829). When the work was published in 1865, its inventor, Ludwig Nohl, one copy so the title became "Für Elise" and autograph was gone. Für Elise famous melodies hint woman who loved Beethoven's initials. The melody begins with the tone of the E - D # - E, or enharmoni E - E? - E. Well, it's in German melody together with E - Es - E, the letter which became the tone of the song or even the name Therese Elise.

Extraordinary musician, Ludwig van Beethoven was born in 1770 in Bonn, Germany. Of small already evident brilliant musical talent. Beetho...

Biography PSY - Gangnam Style

"Oppa Gangnam Style", a piece of song that is now more hits around the world. Not just a song, a unique dance style are now emulated or modeled many people almost all over the world. Pioneers Gangnam Style, none other than the South Korean singer Park Jae Sang ie, better known by the name PSY. On this occasion Warehouse creates realistic Biography, Brief Biography of the Pioneer Gangnam Style PSY. Immediately, we see the Biography South Korean artists.   
Biography of Park Jae Sang "PSY" Gangnam Style  
 
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Real name: Park Jae Sang Date of Birth: December 31, 1977 Zodiac: Capricorn Famous since the release of the single " Gangnam Style " (2012) Country: South Korea Wife Name: Yoo Hyeyeon </div>
 
PSY whose real name is Park Jae-Sang was born in South Korea on December 31, 1977. He spent his childhood in Korea, and had signed up, and underwent his studies at Boston University and Berklee College of Music. 
  Psy his debut in the Korean music industry in January 2001 with the album entitled PSY. From the Psycho World!, But this song made him have to pay a fine because there is content that is not indecent. Psy is a hip-hop singer scrambles Korean pop music scene with a bold lyrics, his unique dance style and appearance are not as common, so that he was dubbed the 'Bizzare Singer'. Cho said she likes to add to his name thus became Psycho. Five months after his first album was released, the album Psy prohibited to children under age because they can cause negative influence to the young. Since then, PSY has been a controversial artist, making her second album released SSA 2 in 2002 received a warning not to be sold to those who are minors (under the age of 19 years). However, PSY've got quite a lot of attention from the Korean music lovers since she was strange and interesting.

"Oppa Gangnam Style" , a piece of song that is now more hits around the world. Not just a song, a unique dance style are now emula...

Paul Gilbert Fastest Guitar Player

Paul Brandon Gilbert or Paul Gilbert was born on 6 November 1966 in Carbondale, Illinois - USA, at the age of 5 years (1971) Paul had started to learn guitar, 10 years later (1981) Paul try sending demo tapes to producer Mike Varney and beyond expectations, Mike admired his game alongside Tony MacAlpine. In 1984 Paul moved to LA and continued his guitar to school GIT (Guitar Institute of Technology) and has now become this prestigious guitar school instructors. 
 
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Full Name: Paul Brandon Gilbert 
Group Band Previous: Racer X, Mr.Big 
Influences: Eddie Van Halen 
Education: Graduates GIT (Guitar Institute of Technology) and GIT Instructor. 
Guitar: Ibanez Paul Gilbert Model (PGM) Signature Series 
Expertise: Alternate Picking, String Skipping, Arpeggio, etc.. 
 
Solo Album: 
 
* Tribute to Jimi Hendrix (EP) (1991) 
* King of Clubs (1998) 
* Flying Dog (1999) 
* Beehive Live (1999) 
* Alligator Farm (2000) 
* Raw Blues Power With Jimi Kidd (2002) 
* Burning Organ (2002) 
* Paul the Young Dude / The Best of Paul Gilbert (2003) 
* Gilbert Hotel (2003) 
* Acoustic Samurai (2003) 
* Space Ship One (2005) 
* Get Out of My Yard (2006) 
* Tough Eskimo (limited edition EP) (2007) 
* Silence Followed By A Deafening Roar (2008) 
* With Freddie Nelson United States (2009) 
* Fuzz Universe (2010) 
 
In 1986 he joined his first band Racer X with his debut album "Street Lethal", then "Second Heat" (1987) and "Live! Extreme Volume "(1988). In 1989 Paul left Racer X and Mr.Big band joined the group with a respected bass player "Billy Sheehan", vocalist Eric Martin and drummer Pat Torpey. They released her first album "Mr.Big" and Mr.Big performing for the first time in Japan in October. 
 
In 1998 Paul's first appearance in Japan with a solo album. Paul launched his solo album "Flying Dog". In 1999 Paul returned to Japan and launched his second solo album "Beehive Live" and third album Racer X "Technical Difficulties". In 2003 Burning Organ album was released, this time into the label Indonesia under the auspices of Staria Enterprise. Paul held a promo tour of the album "Spaceship One" to Indonesia. It was greeted enthusiastically by fans-fans, because many American artists who withdrew for fear disweeping by certain parties. 
 
Paul Gilbert is one of the guitar gods like <a href="http://mmusic-zone.blogspot.com/2013/02/steve-vai-best-guitarist-in-world.html" target="_blank">Steve Vai</a>, <a href="http://mmusic-zone.blogspot.com/2013/02/yngwie-malmsteen-fastest-guitarist.html" target="_blank">Yngwie</a>, <a href="http://mmusic-zone.blogspot.com/2013/01/john-petrucci-best-guitarist.html" target="_blank">John Petrucci</a>, and others. Paul previously known through his band Mr.Big group, which sells recordings Mr.Big helped raise Paul's name in the world of rock music. 
 
Paul Gilbert is guitarist in the world hit 86-87 as the fastest guitar player in the world, when Paul was with the group band Racer X. The technique has the perfect game when he had turned 17 that year.

Paul Brandon Gilbert or Paul Gilbert was born on 6 November 1966 in Carbondale, Illinois - USA, at the age of 5 years (1971) Paul had start...

Steve Vai: Best Guitarist in the World

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Rio Steve Vai or Steve Vai born on June 6, 1960 in Carle Place, New York USA. At the age of 6 years, Steve began studying piano. At the age of 10 years, Steve started learning to play the accordion. At the age of 13 years Steve then started deep guitar and since then new born guitar god. In 1974, he took guitar lessons from <a href="http://mmusic-zone.blogspot.com/2013/01/joe-satriani-professor-satchafunkilus.html" target="_blank">guitarist Joe Satriani</a>. He was influenced by guitarist Jeff Beck, Jimmy Page, Glen Buxton, and jazz fusion guitarist Allan Holdsworth. In 1985, he joined a group of former <a href="http://mmusic-zone.blogspot.com/2013/01/biography-eddie-van-halen-greatest.html" target="_blank">Van Halen</a> front man David Lee Roth to record the albums Eat 'Em and Smile and Skyscraper. In 1986, Vai played with John Lydon's Public Image Ltd on their album Album (also known as Compact Disc or Cassette). Then, in 1989, Vai joined Whitesnake, replacing Vivian Campbell. When Adrian Vandenberg injured his wrist shortly before recording was to begin for the album Slip tongue, Vai played all the guitar parts. Vai also played on the Alice Cooper album Hey God, along with Joe Satriani. In 1990, Steve Vai released a critically acclaimed solo album Passion and Warfare, The song "For The Love Of God" was voted # 29 in a poll of readers' of the 100 best guitar solos of all time in Guitar World Magazine. In 1994 Vai began writing and recording with Ozzy Osbourne. Only one track from these sessions, "My Little Man", was released on the album Ozzmosis. Despite Vai wrote the track he does not appear on the album. Steve Vai released his second album entitled Passion and Warfare. The album received international recognition, and Steve won Guitar Player magazine reader's poll in 4 different categories. Steve, the third album titled Sex & Religion released in 1993 and the fourth album Alien Love Secrets was released in 1995. In 1996, the fifth album Fire Garden Steve released. In 1994 Vai received a Grammy Award for his performance on the Frank Zappa song Sofa from the album Zappa's Universe, Vai playing a twin-necked Ibanez. The beginning of the 21st century saw the release flurry of Vai, including a compilation of instrumental, 7th Song: Enchanting Guitar Melodies Archive, in 2000, and the first full-length live release, Alive in an Ultra World, in 2001, as well as a career that included a giant ten-disc box set of Secret Jewel Box. In 2002 he collected several pieces that he has contributed to movies over the years, including the guitar duel from Crossroads and the theme to Bill and Ted's Bogus Journey and put them together in a collection of 40 songs called The Elusive Light and Sound , Vol. 1. A series of compilations came next, and after a five year absence from the studio, Vai returned in 2005 with Real Illusions: Reflections. A tour with the Metropole Orchestra followed and he released a ambitious double live set documenting his performance, titled Theory of Sound, Vol. 1-2, in the year 2007. In 2010, he performed with the North Netherlands Orchestra, debuting several new compositions that fused rock music with orchestral arrangements, dubbed "Evo Era." Vai has also appeared on several television in 2010, appearing on The Tonight Show and on American Idol with Mary J. Blige, Orianthi, Travis Barker, Ron Fair, Orianthi, and Randy Jackson. For years, Steve Vai has guested on countless albums by other artists, including Gregg Bissonette's debut and Submarine, Alice Cooper's Hey Stoopid, Randy Coven's Funk Me Tender, Al Infinite Desire in Meola's, Public Image Ltd. 's Album Joe Jackson's Symphony 1, and Billy Sheehan's Compression, and also releases from Mike Stern, Ozzy, and Meat Loaf. He can also be found in the additional Zappa releases as Jazz from Hell, Shut Up 'n Play Yer Guitar, Guitar, and on several volumes lasts Again That You Can not Step on the series and the live tribute disc Zappa's Universe. As if his busy schedule was not full enough, Vai pursue a lifelong interest when he began harvesting honey among five bee colonies in the backyard of his house. Greg Prato, Rovi.

Rio Steve Vai or Steve Vai born on June 6, 1960 in Carle Place, New York USA. At the age of 6 years, Steve began studying piano. At the a...

Yngwie Malmsteen Fastest Guitarist

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Yngwie Malmsteen it had become a phenomenon among guitarists rock / heavy metal when it appears with a debut album Rising Force in 1984. His speed in doing sweep, combined with minor tones, and exhibited a high technical Swedish guitarist is like creating a new standard in speed and technique of guitar, especially in the line rock and heavy metal. Yngwie Malmsteen was a concern in the mid-1980s for his guitar technique and the influence of neo-classical metal compositions Compositions. Four album sales from 1984 to 1988, Rising Force, Marching Out, Trilogy, and Odyssey, the peak ranks of the top 100. Full Name: Lars Johann Yngwie Lannerback Place / Date of Birth: June 30, 1963 in Stockholm, Sweden. Group Current Band: Yngwie Malmsteen Band Group Band Previous: Steeler, Alcatrazz, Effect: Niccolo Paganini, Jimi Hendrix, Ritchie Blackmore, JSBach, Antonio Vivaldi, WAMozart, Guitar: Fender Stratocaster Yngwie. Malmsteen Signature Series Expertise: Neoclassical, Alternate, Picking, Arpeggio, etc.. Yngwie game strong with a touch of blues, rock, and classical influences condensed style classical music maestro, Niccolo Paganini and JS Bach, who was so charming, is considered to be something new. Promoted flow Yngwie heavy metal is then included in the genre of "neo-classical metal". Previously, Yngwie had joined the band Steeler and Alcatrazz even earned the nickname as the "Father Guitarist Shredder". Indeed, guitarist Shredder is a guitarist who rely heavily on speed in every guitar solo, was actually inherent in Eddy Van Halen, while introducing style "two handed tapping" in song instrumental "Eruption" on the selftitled album, Van Halen, in 1978. However, it can hardly be denied, Yngwie was the one who popularized the technique of modifying simultaneously shredding it. Yngwie himself admitted that his playing style was heavily influenced classical music, especially Bach and Paganini. While rock and blues, Yngwie obtained from the influence of Jimi Hendrix and Ritchie Blackmore, who is two guitarists idol. Outside of his solo albums, Yngwie also released a collaboration album with two other top guitarists Joe Satriani and Steve Vai. The album was released in 2004, entitled "G3: Rockin 'in the Free World". On this album, in addition to playing four songs solo, Yngwie also had jamming together Satriani and Vai on three songs: "Voodoo Child" and "Little Wing" Jimi Hendrix-owned and "Rockin 'in the Free World" (Neil Young) . As well as hard rock musicians and other heavy metal, Yngwie also not forget the songs ballads are sweet on each album. At that time, in the year 1980-1990's, ballad songs is so powerful selling album to tuck in a heavy metal group. Then came the song "Now is the time" and "Dreaming" Odissey album, I'm My Own Enemy (Fire and Ice album), Prisoner of Your Love (The Seven Sight), and the legendary song "Save Our Love" in Eclipse album. Sure did, Yngwie still tucked sweet songs on each album. It's a stir for music listeners

Yngwie Malmsteen it had become a phenomenon among guitarists rock / heavy metal when it appears with a debut album Rising Force in 1984. ...

Joe Satriani: Professor Satchafunkilus and The Musterion of Rock

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Full Name: Joe Satriani Official Website: Satriani.com Place / Date of Birth: July 15, 1956 at Westburry, New York, USA Group Current Band: Joe Satriani Group Band Previous: The Squares Influences: Jimi Hendrix, Ritchie Blackmore Guitar: Ibanez JS Series Expertise: Tapping, Alternate Picking, etc.</div>
 
Joe Satriani, first learned to play guitar at the age of 14 years. At the age of 15 years, Joe has been teaching guitar (for 3 years) to some students who include Steve Vai, Kirk Hammett (Metallica) and Larry LaLonde (Primus). Can imagine how diligent and quickly Joe steeped guitar. He is Professor Satchafunkilus and The Musterion of Rock. 
 
While teaching at Second Hand Guitar, Berklee, Joe released the first album in 1986, entitled Not Of This Earth. The following year, Surfing With The Alien was released and get the gold and platinum sales. Surfing in 1989 in a Blue Dream was released and reached 750,000 pieces for sale and entered into the Grammy Awards nominations. The Extremist released in 1992 which was also nominated for Grammy Awards and reached # 24 on the Billboard chart. 
 
The following year, Time Machine (double CD) was released. In 1995 Joe Satriani album entitled My World was released and songs nominated for Grammy Awards. In 1998 Joe released album entitled Crystal Planet eighth. 
 
In 2000, Joe released the album Engines Of Creation. On this album, Joe experimented with using the rhythm-rhythm recordings were made on a computer. In 2001 Joe released his live album Live in San Francisco. 
 
In addition to releasing his solo album, Joe Satriani is also the originator of the holding G3. Together with Steve Vai, Joe has several times held a G3 concert with other guitar gods like Eric Johnson (1996), Adrian leggs, Kenny Wayne Shepherd, and Robert Fripp (1997), Michael Schenker and Uli John Roth with Brian May as the Guest Star for the show in London and Patrick Rondat in France (1998) and John Petrucci (2001). 
 
Joe Satriani is also participating in the project his Merry Axemas Steve Vai, and played the song Silent Night which re-arrangements and also fill the position of the guitar for Deep Purple in the 1990s.

Full Name: Joe Satriani Official Website: Satriani.com Place / Date of Birth: July 15, 1956 at Westburry, New York, USA Group Current B...

Tempo in Music

Understanding tempo in music is fast or slow song when sung in a music composition. A composer, usually determines the desired <a href="http://mmusic-zone.blogspot.com/2012/11/song-speeds-tempo.html">tempo song</a> that was written on the left over the composition of his songs. The term due is usually in the form of words in Italian language or languages other currencies. The term can also be placed tempo in the middle of the song, ie when the composer really want change tempo in the middle of his song was to write the word "change tempo" in the notation or staves that changed tempo. 
 
Measuring Tempo 
 
Tempo will typically be written at the beginning of a piece of music, and in modern Western music is usually indicated in beats per minute (bpm). This means that the number of beats (pulse) per minute played. The greater the tempo, the larger the number of beats that must be played in one minute. Such mathematical sign of maturity is becoming increasingly popular in the first half of the 19th century, after the metronome had been invented by Johann Nepomuk Mälzel, although early metronomes somewhat inconsistent. Beethoven was the first composer to use the metronome, and in 1817 he gave a metronomic indications for "eight Symphonies" her. 
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At the metronome are also bell sets that we can match beats sound bars, 2/4, 3/4, 4/4, 6/8, and so on. Bell will sound on every first beat in every segment bars. Thus the buzzer coincided with the first beat of the track bars. The technical writing position metronome mark is placed near term due form letter acronym, a word of Metronome MM Malzel. The name is taken from the name of the copyright owner is the inventor, Johann Nepomuk Malzel (1770-1838). 
 
 
Example metronome mark: MM. = 130 This means that there are 130 beats in the minute. So the greater the number, the faster the tempo MM song. With the advent of modern electronics, bpm be a very appropriate size. Music sequencer using the system to indicate the tempo bpm. 
 
Signs Tempo Basic 
 
All signs are based on a few root words. 
- By adding Issimo words mean very. 
- By adding the-ino words mean more. 
- By adding a Etto means little. 
 
Metronome marks are a guide only and depending on the sign, these figures may not be appropriate in any condition to play music. 
 
Larghissimo - very, very slow (20 bpm and below) 
Grave - slow and solemn (20-40 bpm) 
Lento - slow (40-60 bpm) 
Largo - width (40-60 bpm) 
Larghetto - rather wide (60-66 bpm) 
Adagio - slow and stately (casual) (66-76 bpm) 
Adagietto - rather slow (70-80 bpm) 
Andante - Moderato bit slower than Andante 
Andante - walking pace (76-108 bpm) 
Andantino - slightly faster than Andante 
Moderato - moderate (108-120 bpm) 
Allegretto - pretty fast (but less so than allegro) 
Allegro Moderato - quite fast (112-124 bpm) 
Allegro fast - quick and decisive (120-140 bpm) 
Vivace - agile and fast (≈ 140 bpm) (quicker than allegro) 
Vivacissimo - very fast and lively 
Allegrissimo - very fast 
Presto - very fast (168-200 bpm) 
Prestissimo - very fast (more than 200 bpm) 
 
Codicil: 
 
<ul>
<li>A Piacere - players can use discretion relating to tempo and rhythm; literally "at will"</li>
<li>L'istesso tempo - at the same speed</li>
<li>Tempo comodo - on speed (normal) comfortable</li>
<li>Tempo di ... - the speed of ... (Such as Tempo di Valse (waltz pace), Tempo di marcia (speed mars)</li>
<li>Tempo Giusto - at a consistent speed, the speed of the 'right', in strict tempo</li>
<li>Tempo semplice - simple, regular pace, clearly</li>
</ul>
 
 
General qualifications: 
 
<ul>
<li>alla - manner or style of, as in</li>
<li>alla breve - tempo 2/2. In Dutch: gehalverde congregation</li>
<li>alla marcia - in a march (eg, Beethoven, op 101.)</li>
<li>all ongarese - 'in Hungarian style</li>
<li>alla (danza) tedesca - the German dance and dance styles are similar in tempo rather quickly (see Beethoven, op 79, op 130 ..)</li>
<li>Alla turca - in the Turkish style, which, in imitation of Turkish military music (music Janizary), which became popular in Europe in the late 18th century (eg, Mozart, K. 331, K. 384)</li>
<li>alla zingarese - in the style of Gypsy music</li>
<li>assai - very much, as in allegro assai, quite fast</li>
<li>ben - well, as in ben MARCATO (well marked or accented)</li>
<li>con bravura - with skills</li>
<li>con brio - with zeal and enthusiasm</li>
<li>con fuoco - with fire</li>
<li>con moto - with movement</li>
<li>deciso - clear, unequivocal</li>
<li>fugato - in fugal style, usually part of the non-fugal composition; such passages often occur in the development of symphonies, sonatas, and quartets</li>
<li>in modo - in manner, in style: in modo Napolitano (in the Neapolitan style), in modo in marcia funebre (in a funeral march)</li>
<li>meno - less, such as Mosso meno (less fast)</li>
<li>appena - almost nothing, like appena forte (loud hardly at all)</li>
<li>misterioso - mysterious</li>
<li>molto - much, very, as molto allegro (very quick) or molto adagio (very slow)</li>
<li>non troppo - is not too much, such as allegro non troppo (or allegro ma non troppo) means "fast, but not too much"</li>
<li>non tanto - is not so much</li>
<li>piu - more, such as di piu allegro (faster), used as a relative indication of when it changes tempo</li>
<li>piuttosto - more, like piuttosto allegro (rather quickly)</li>
<li>poco - a little, a little, like poco adagio</li>
<li>poco a poco - piecemeal</li>
<li>Polacca - name Polish dance, polonaise usually, as in tempo in Polacca, (the "Polacca" in Bach's Brandenburg Concerto No. 1 shows little resemblance to the polonaise)</li>
<li>primo - principal or earlier, such as primo tempo, tempo the same as at the beginning (back to the tempo early, because of a change in tempo)</li>
<li>quasi - almost, almost, as if (like piu allegro quasi presto, "faster, as if presto")</li>
<li>senza - without, like interruzione senza (without interruption or delay), or misura senza senza tempo (without measuring tight)</li>
<li>sostenuto - sustainable, long</li>
<li>Subito - abrupt</li>
</ul>
 
In addition to Allegretto, composers freely apply small and superlative Italian suffix to various tempo indications: andantino, larghetto, adagietto, and larghissimo. 
 
Connotation Tempo Based Mood 
 
Some signs are especially marked mood (or character) also has the connotation due: 
<ul>
<li>Affettuoso - with feelings / emotions</li>
<li>Agitato - agitated, with implied velocity</li>
<li>Appassionato - to play the passionate</li>
<li>Animato - spirit, life</li>
<li>Brillante - sparkling, glittering, as in Allegro Brillante, Rondo Brillante, or Variations Brillantes; became fashionable - in titles for virtuoso section</li>
<li>Bravura - wide</li>
<li>Cantabile - in singing style (lyrical and flowing)</li>
<li>Dolce - Sweet</li>
<li>Energico - energetic, strong, powerful</li>
<li>Eroico - heroic</li>
<li>Espressivo - expressive</li>
<li>Furioso - to play the angry or upset</li>
<li>Giocoso - carefree, funny</li>
<li>Gioioso - joy</li>
<li>Grandioso - majestic, graceful</li>
<li>Grazioso - gracefully</li>
<li>Lacrimoso - crying, sad</li>
<li>Lamentoso - wailing, sad</li>
<li>Leggero - to play lightly, or with light touch</li>
<li>Maestoso - majestic or stately (which generally indicates a serious, slow march-like movement)</li>
<li>Malinconico - melancholy</li>
<li>Marcato - marching tempo, marked with emphasis</li>
<li>Marziale - in march style, usually in simple, strongly marked rhythm and regular phrases</li>
<li>Mesto - sad, melancholy</li>
<li>Morendo - dying</li>
<li>Nobilmente - respectable (in a noble way)</li>
<li>Patetico - with great emotion</li>
<li>Pesante - very</li>
<li>Sautillé / Saltando - restlessness, rapid, and short</li>
<li>Playful - scherzando</li>
<li>Sustainable - sostenuto, sometimes with reduced tempo</li>
<li>Spiccato - sautillé slow, with a bouncy manner</li>
<li>Tenerezza - softness</li>
<li>Tranquillamente - adverb from Tranquillo, "calm"</li>
<li>Trionfante - triumphantly</li>
<li>Vivace - lively and fast, over 140 bpm (which generally indicates a fast movement)</li>
</ul>
 
Change in Tempo 
 
<ul>
<li>Accelerando - tempo up (abbreviation: accel.)</li>
<li>Allargando - tempo down, usually near the end of the song</li>
<li>Calando - will slow (and usually also softer)</li>
<li>Doppio Movimento - double speed</li>
<li>Meno Mosso - less movement or more slowly</li>
<li>Mosso - movement, more life, or faster, such as piu Mosso, but not extreme</li>
<li>Piu Mosso - movement more or faster</li>
<li>Precipitando - rushing, run faster / forward</li>
<li>Rallentando - gradual slowing down (abbreviation: rall.)</li>
<li>Ritardando - less gradual slowing down (more sudden drop in tempo than Rallentando) (abbreviation: rit or more specifically, ritard ..)</li>
<li>Ritenuto - slightly slower, while holding. (Ritenuto stands can also be written: rit.) More specific so stands riten Also sometimes ritenuto not reflect changes in tempo, but not change the character)</li>
<li>Rubato t- empo-free adjustments for expressive purposes</li>
<li>Stretto - in a faster tempo, often close to the conclusion of a section. (The term is not necessarily related to the tempo.)</li>
<li>Stringendo - pressing faster (literally "tightening")</li>
</ul>
 
Note: 
 
<ol>
<li>Within the base (such as allegro) appears in large writing on the staves, these adjustments typically appear below the stave or (in the case of keyboard instruments) in the middle of a large staves.)</li>
<li>Changes in the general tempo appoint a gradual change in tempo, because the tempo shifts immediately, composers usually only provide the name for the new tempo. (However, when Piu Mosso that Meno Mosso or appearing in large letters above the stave, it serves as a new tempo, and thus implies a change soon.) Some terms, for example, assai, molto, poco, subito, control how large and how changes should be gradual (see general qualifications).</li>
<li>After a change of tempo, tempo composer may return to previously in two different ways:</li>
<li>A return to the tempo tempo early after adjustment (eg "ritardando ... a tempo" (cancel effect ritardando).</li>
<li>Primo Tempo tempo or I - indicates an immediate return to the previous tempo after the part in a different tempo (eg "Allegro Moderato Lento .......... ... Tempo I", indicating a return to Allegro). This indication often functions as a structural marker in pieces in binary form.</li>
<li>This requirement also indicates, instantly not gradually, change tempo. Although the Italian language, composers typically use the term above, even though they have written their initial tempo marking in some other language.</li>
</ol>
 
Tempo marks in other languages 
 
Although the Italian language has been commonly used in terms of tempo mark in the history of classical music, many composers wrote tempo indications in their own language. Definition tempo marks mentioned in this section can be found in the Harvard Dictionary of Music and / or the online foreign language dictionaries. 
 
Signs Tempo French 
 
Several composers have written tempo marks in French, among them baroque composers François Couperin and Jean-Philippe Rameau as well as Claude Debussy, Olivier Messiaen, Maurice Ravel and Alexander Scriabin. 
<ul>
<li>Au Mouvement  - played a tempo (first or primary).</li>
<li>Grave - slowly and earnestly</li>
<li>Lent - slowly</li>
<li>Modéré - in medium tempo</li>
<li>Moins - less, as Moins vite (not fast enough)</li>
<li>Rapide - fast</li>
<li>Très - so, as in the Très vif (very much alive)</li>
<li>Vif - life</li>
<li>Vite - fast</li>
</ul>
 
Erik Satie is known to write extense tempo (and character) mark by defining them in a poetical and literal, as in his Gnossiennes. 
 
Signs Tempo German 
 
<ul>
<li>Langsam - slowly</li>
<li>Lebhaft - life (mood)</li>
<li>Mäßig - enough</li>
<li>Rasch - fast</li>
<li>Schnell - fast</li>
<li>Bewegt - animated, with motion</li>
</ul>
 
One of the first German composers to use tempo marks in his mother tongue is Ludwig van Beethoven. One is using a combination of the most complicated tempo and mood signs may Gustav Mahler. For example, the second movement of his Symphony No. 9 marked Im Tempo eines Ländlers gemächlichen, etwas täppisch und sehr derb, showing folk-dance movement as slowish, with some awkwardness and vulgarity many executions. Mahler would also sometimes combine German tempo marks the traditional Italian mark, as in the first movement of the sixth symphony, marked Allegro energico, ma non Troppo. Heftig, aber markig (energetically fast, but not too much violence. Yet powerful).

Understanding tempo in music is fast or slow song when sung in a music composition. A composer, usually determines the desired tempo song ...

The Steps Composing a Rhythm

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Based on the theory of making rhythms on <a href="http://mmusic-zone.blogspot.com/2012/12/modern-harmony-non-classical-music.html">Modern Harmony</a>, then steps composing a rhythm as follows: Sing a song to find a motive in rhythm. The song has a simple rhythm pattern because it uses only the shape and not the value of a full, half, quarter and eighth. Note values are not too difficult to sing and play using instruments. One of the things that might require vigilance is present in significant ligatura played serialized. Make it fit with the idea of a musical rhythm owned. Keep in mind that in the song are frasering or sentence structure. 'All I am' has a shape that is not symmetrical, as in the song there is one sentence that consists of 4 (four) and there are bars which consists of 6 (six) bars. The first exercise, make a well in the four-bar rhythm and six bars depending on number of bars in every sentence song, remembering melodies in the original song. After finding a rhythm pattern and then write into the stave. Make some rhythm patterns that can select a motif in accordance with the original song. If the song is not there syncopated rhythm patterns should not make that much use of syncope so that no change character original song. Read the rhythmic pattern that has been in written repeatedly to master<a href="http://mmusic-zone.blogspot.com/2012/12/examples-of-rhythm-patterns.html"> the rhythmic pattern</a> in it without text. Hopefully useful ...

Based on the theory of making rhythms on Modern Harmony , then steps composing a rhythm as follows: Sing a song to find a motive in rhyt...

Zubin Mehta

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Born in Bombay, India, on 29 April 1936. He was <a href="http://mmusic-zone.blogspot.com/2012/10/coordination-orchestra.html">kondaktor </a>orchestra, music director of Los Angeles PhilharmonicOrchestra (1962-78), New York Philharmonic Orchestra (1978-91), and the Israel Philharmonic (from1968). 
 
His father, Mehli Mehta, is a violinist, who was one of the founders of Bombay-String Quartet and the Bombay Symphony Orchestra. Zubin Mehta underwent his musical studies at the Vienna Academy of Music. 
 
In 1958 he became the first champion Liverpool International Conductor's Competition and became kondaktor assistant at Royal Liverpool Philharmonic for one year. 
 
From 1961 to 1967, he became music director of the Montreal Symphony. That opportunity has to kondaktor first and directly, in two major North American orchestras. 
 
In 1968, he became head of the music advisor for the Israel Philharmonic Orchestra. And in 1978, Mehta replaces Pierre Boulez, as music director at the New York Philharmonic <a href="http://mmusic-zone.blogspot.com/2012/10/what-is-orchestra.html">Orchestra</a>. He expressed interest in specials on music late Romantic and early modern composers.

Born in Bombay, India, on 29 April 1936. He was kondaktor orchestra, music director of Los Angeles PhilharmonicOrchestra (1962-78), New Yo...

Leonard Bernstein

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Leonard Bernstein was born August 25, 1918 in Lawrence, Massachusetts, USA, and died in New York on October 14, 1990. 
 
It has the advantage of leading popular music and classical. Bernstein playing piano since the age of 10, and enrolled in: 
<ul>
<li>Latin School and Harvard University (graduated 1939)</li>
<li>Curtis Institute of Music in Philadelphia from 1939 to 1941.</li>
</ul>
In 1943 he was appointed assistant at the New York Philharmonic <a href="http://mmusic-zone.blogspot.com/2012/10/coordination-orchestra.html">kondaktor.</a> Early success looks when he replaced Bruno Walter kondaktor task. Not long after, he became kondaktor New York City Center <a href="http://mmusic-zone.blogspot.com/2012/10/what-is-orchestra.html">Orchestra</a> from 1945 higga 1947, and appeared as a guest kondaktor in the United States, Europe, and Israel. 
 
In 1953, he was the first American to be kondaktor at La Scala, Milan. Its popularity increased as kondaktor and pianist as well as a commentator and entertainer. He continues to write music and perform as a guest in several symphony kondaktor worldwide. 
 
Works by Bernstein as a composer, among others: 
 
<ul>
<li>On the Town (1944)</li>
<li>Wonderful Town (1953)</li>
<li>Candide (1956)</li>
<li>West Side Story (1957; movie version 1961)</li>
<li>Symphony No. 1 (also called Jeremiah; 1942)</li>
<li>Chichester Psalms (1965)</li>
<li>The themes for the Jewish liturgy as in the Symphony No. 3 (Kaddish; 1963)</li>
<li>Jazz rhythms such as the Symphony # 2 (The Age of Anxiety; 1949)</li>
</ul>
In a piece of music for ballet: 
 
<ul>
<li>Fancy Free (1944)</li>
<li>Facsimile (1946)</li>
<li>Dybbuk (1974)</li>
</ul>
Bernstein also published: 
 
<ul>
<li>The Joy of Music (1959);</li>
<li>Young People's Concerts, for Reading and Listening (1962, rev. Ed. 1970);</li>
<li>The Infinite Variety of Music (1966); and</li>
<li>The Unanswered Question (1976), taken from his Charles Eliot Norton lectures at Harvard (1973).</li>
</ul>
Besides, he also wrote the music for the film "On the Waterfront (1954)," Masses essay specifically used in the opportunities opening of "John F. Kennedy Center for the Performing Arts", in Washington, DC, in September 1971

Leonard Bernstein was born August 25, 1918 in Lawrence, Massachusetts, USA, and died in New York on October 14, 1990. It has the advant...

Herbert Von Karajan

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Born in Salzburg, Austria, on 5 April 1908 and died in Anif, near Salzburg, on July 16, 1989. Apart from being <a href="http://mmusic-zone.blogspot.com/2012/10/coordination-orchestra.html">kondaktor</a> opera and orchestra, he is a figure well-known international musicians in the mid-20th century. 
 
He underwent his musical studies at the Mozarteum, in Salzburg. His debut as a professional kondaktor is in Salzburg in 1929. 
 
A year later he was elected to the post kondaktor in Ulm, Germany. Later he was appointed as Kapellmeister at Aachen until 1941. At the same time, he also worked as kondaktor at the Berlin State Opera. 
 
He went to Italy in 1944. In England he contributed to the establishment of London Philharmonia in 1948, and in 1955 became director of music at the Berlin Philharmonic. 
 
In 1967 Karajan established the Salzburg Easter Festival tradition. From 1969 to 1970, he became kondaktor Orchestre de Paris and finally back to the Vienna State Opera in 1977. 
 
Interpretation of musical styles Karajan has advantages in terms of accuracy and objectivity. Nevertheless, between the 1970s and the 1980s, however, more pronounced in kondaktingnya characteristic individual style.

Born in Salzburg, Austria, on 5 April 1908 and died in Anif, near Salzburg, on July 16, 1989. Apart from being kondaktor opera and orches...

Lorin Maazel Kondaktor

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDO4ZwOgjCse8g3e3TD9fWY_EksEvW5w1gsiKTk68ThQOZHH4B7hU8HM7Ri1XWqb2C8s-lwhA6-HNW1ttUI21EOOEl5y-SXtMJQ90pNrSAZi7gpslHSm_RZ66FKu7nsVNo4rsJFIyEf8s/s1600/Lorin+Maazel.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="Lorin_Maazel_Varencove" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDO4ZwOgjCse8g3e3TD9fWY_EksEvW5w1gsiKTk68ThQOZHH4B7hU8HM7Ri1XWqb2C8s-lwhA6-HNW1ttUI21EOOEl5y-SXtMJQ90pNrSAZi7gpslHSm_RZ66FKu7nsVNo4rsJFIyEf8s/s1600/Lorin+Maazel.jpg" /></a>Lorin Maazel Varencove, born on March 6, 1930 in Neuilly, France. He was a kondaktor and violinist, and a Director of the Cleveland Orchestra from 1972 to 1982. 
 
Maazel grew up in Los Angeles and began his musical studies at the age of five. 
At that time he won a scholarship study Baroque music, from Fullbright scholarship. 
 
 
 
Then he received some <a href="http://mmusic-zone.blogspot.com/2012/10/coordination-orchestra.html">kondaktor</a> contracts in various countries, including: 
<ul>
<li>Deutsche Oper, Berlin West (1965-71),</li>
<li>West Berlin Radio Symphony Orchestra (1965-75),</li>
<li>New Philharmonia Orchestra in London (1970-72; 1976-80),</li>
<li>Cleveland Orchestra (1972-82),</li>
<li>French National Orchestra (1977-90),</li>
<li>Pittsburgh Symphony (1986-96)</li>
<li>Bavarian Radio Symphony Orchestra (1993-2002)</li>
<li>In 1982-1984 he got a position as Director of the Vienna State Opera.</li>
</ul>
Maazel is very suitable for opera music and <a href="http://mmusic-zone.blogspot.com/2012/10/coordination-orchestra.html">orchestral </a>repertoire ranges from works of the 18th century to contemporary. He was not excessive on the podium, and he combines clarity or clarity with great emotional depth.

Lorin Maazel Varencove , born on March 6, 1930 in Neuilly, France. He was a kondaktor and violinist, and a Director of the Cleveland Orchest...

History of Classical Music Orchestra

Orchestra 
is a big band formation consisting of complete <a href="http://mmusic-zone.blogspot.com/search/label/Musical%20Instruments">musical instruments</a> among
 other music groups. Orchestra has been around since the power in the 
14th century, and also in the kingdom Francis. Musical instruments used 
at the time as the lute, viola, flute, drums, and virginal. <a href="http://mmusic-zone.blogspot.com/search/label/Composers">Composer</a>
 Monteverdi is a major contribution and has not been done before for the
 development okestra. Claudio Monteverdi became prominent 17th-century 
musicians, Monteverdi <a href="http://mmusic-zone.blogspot.com/2012/09/music-ensemble.html">Ensemble</a> involves the whole family viol, flute, 
cornet, suckbuts, lute, organ, harpsichord, harp and then expanded using
 new effects such as pizzicato and tremolo. 
 
From century to 
century orchestral music developed along with advances in theater and 
opera. Creativity is encouraged composers to explore the sound for the 
purposes of the show. Lully was the first composer to explore the sound 
of stringed instruments, and Alessandro Scarlatti, he was one of those 
who pioneered the string quartet (string quartet). In an orchestra the 
aristocracy, to try to work to practice to improve his play ensemble 
music. Manheim has an orchestra known for its dynamic notation of the 
composition and structure of rare previous instructions. This orchestra 
emphasizes the importance of neatness in the game clean melody, harmony<a href="http://mmusic-zone.blogspot.com/search/?q=+arrangement"> arrangement</a> homofonik, short lyrics, and repetitive rhythms. While Mozart further increase the significance woodwind orchestra texture. 
 
Increasingly,
 many new instruments in the orchestra which was introduced by 
Beethoven. He introduced orchestral instruments like the piccolo, the 
double bassoon, trombone, and some percussion instruments such as 
triangle, cymbals and bass drum. Virtuositas various orchestral 
instruments really developed after the Beethoven. 
 
After Beethoven, many composers to interpolate new instruments into the orchestra, the Mendelssohn. He was the first composer to include tuba in symphonic music. 
 
In
 the 20th century the extremist George Antheil involving aircraft 
sounds, electric bells, and horns. Gershwin uses French taxi horns in 
his An American in Paris; knock included as a manual typewriter by Ferde
 Grofe orchestral instruments in his tabloid. 
 
But in the Soviet 
Union, Orchestra only lasted for 10 years and eventually banned because 
some players began to oppose to some rules and controls that are 
considered excessive.

Orchestra is a big band formation consisting of complete musical instruments among other music groups. Orchestra has been around since t...

Chord Harmonization Techniques

In previous posts, we have discussed about the chord progression with harmonious results. This time I will discuss about arranges harmonized chord in the song. To create harmony can be reached by taking 2 or from the chord sounds. Example: Chord D major has an F# 2 tone sounds and the sound of three tones A major, because progresion Dmayor chord is D - F # - A. The definition of minor is a minor relative position of mayor, the sixth position of the major scale. By playing the notes using teknin This is an alternative to selecting a chord other than the original chord. But we must always consider in making changes progresion this chord, never deviate from the harmonized tones. This will result in a song that we heard not a harmonious arrangement. Of the many songs and types of music in the world, there are even many who had similar chord progresion. However it is very difficult to say this is an act of plagiarism, because the main character notes every song is different. Equation progresion chord arrangement may not necessarily have the same main pitch is that there is a variety of intonation patterns. Progresion array of chord C Am Dm G we encounter many different types of music and song. This is a pattern that is often used by many famous musicians, but the difference is the basic tone of the song. This pattern is also almost the same as the pattern D Bm Em A, only with a higher tone. Previously, the thing to remember is diatonic scales are divided into two types:     Major diatonic scales: C D E F G A B C '     Minor diatonic scales: A B C D E F Gis A '

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Major Key Basic</div>
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Structure Tone</div>
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Chord Minor</div>
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Structure Tone</div>
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C</div>
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1 – 3 – 5</div>
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A Minor</div>
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6 – 1 – 3</div>
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D</div>
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 2 – 4# – 6</div>
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B Minor</div>
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7 – 2 – 4#</div>
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E</div>
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 3 – 5# – 7</div>
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Cis Minor</div>
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1# – 3 – 5#</div>
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F</div>
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          4 – 6 – 1’</div>
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D Minor</div>
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         2 – 4 – 6</div>
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G</div>
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          5 – 7 – 2</div>
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E Minor</div>
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         3 – 5 – 7</div>
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A</div>
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6 – 1# – 3</div>
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Fis Minor</div>
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 4# – 6 – 1#</div>
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B</div>
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  7 –
 2# – 4#</div>
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G Minor</div>
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5 – 6# – 2</div>
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</tbody></table>
 Tone tone diatonic major scale starting from C, while minor diatonic scales starting from A. Chord is divided into three parts: 
 
Tonika chords Consists of 1 - 3-5 where 1 (do) serve as bass. The nature of the chord is stable, quiet and round. The role of these chords in the chord of the song is as central to the major scale as well as cover songs mayor. 
Dominant chords Consists of: 5 - 7-2. The nature of these chords are not calm and always wanted to move to Tonika. 5 (sol) here serves as a bass. Chords variation serves as a central chord movement of chords in a song to the tune lower. 
 
Subdominan chords 
 Consists of: 4 - 6-1 '. The nature of these chords are not calm and always wanted to return to Tonika and serves to move from Tonika to the top of the song (Reff / Chorus). 
 
How? It must be more clear .. Please you try and practice diligently, that creativity has no limits.

In previous posts, we have discussed about the chord progression with harmonious results. This time I will discuss about arranges harmonized...

Arrangement Music Definition and Chord Progression

For the musicians, after listening to and explored various types of music, then the next step is to try to develop his ideas. Musical ideas will give a touch to a song as it is in the thoughts and feelings, which arasemen music.  
 
Changing musical arrangement means changing the composition of original music with a touch of their own musical ideas. A
 little picture, a pop song that sounds soft jazz, with ideas you have 
then you can rearranging the song to be a rock'n roll character.<span title="Setiap lagu memiliki jenis musik dan karakternya sendiri, seperti irama musik reggae yang asik, musik blues yang mendayu-dayu, rock'n roll terkesan realita, musik funk yang rancak, hingga musik-musik etnik.">  
 
<span title="Setiap lagu memiliki jenis musik dan karakternya sendiri, seperti irama musik reggae yang asik, musik blues yang mendayu-dayu, rock'n roll terkesan realita, musik funk yang rancak, hingga musik-musik etnik.">Each
 track has its own kind of music and character, such as a cool reggae 
rhythm, music lilting blues, rock'n roll impressed reality, the smart 
funk music, to ethnic music.<span title="Tujuan latihan merubah aransemen lagu ini untuk mengembangkan kreatifitas dalam menciptakan sebuah lagu yang berkarakter, karena proses kreatifitas dapat terbangun dari karya-karya yang telah, kemudian disesuaikan dengan pemikiran anda sendiri yang lebih baik.">  
 
<span title="Tujuan latihan merubah aransemen lagu ini untuk mengembangkan kreatifitas dalam menciptakan sebuah lagu yang berkarakter, karena proses kreatifitas dapat terbangun dari karya-karya yang telah, kemudian disesuaikan dengan pemikiran anda sendiri yang lebih baik.">The
 goal is to change the arrangement of the song to develop creativity in 
creating a character song, because the process of creativity can be 
awakened from the works that have been, and then adapted to your own 
thoughts better.<span title="Ini adalah suatu proses yang tidak mudah, untuk memperjelas apa yang akan anda lakukan terhadap sebuah lagu, saya akan memberikan contoh yaitu lagu "Knockin' on Heaven's Door yang diciptakan dan dinyanyikan Bob Dylan, kemudian dibawakan juga oleh Guns n Roses, dan oleh Avril Lavigne">  
 
<span title="Ini adalah suatu proses yang tidak mudah, untuk memperjelas apa yang akan anda lakukan terhadap sebuah lagu, saya akan memberikan contoh yaitu lagu "Knockin' on Heaven's Door yang diciptakan dan dinyanyikan Bob Dylan, kemudian dibawakan juga oleh Guns n Roses, dan oleh Avril Lavigne">It
 is a difficult process, to clarify what would you do to a song, I will 
give an example of the song "Knockin 'on Heaven's Door composed and sung
 Bob Dylan, and performed also by Guns n Roses, and by Avril Lavigne . You can learn from the song to broaden your horizons. 
 Changing Chord Progression 
 This technical step in rearranging a song, and is part of a trend to note is the similarity chord progression on various songs.  
 
To start the exercise, you can find the original chords of a song and play it. After that, feel the energy song with your character and play with another chord but with the same basic tone.<span title="Sebagai contoh: dalam sebuah lagu nada dasar adalah chord A mayor kemudian chord berikutnya adalah Bm maka kita dapat menggatinyadengan chord yang posisinya lebih rendah yaitu G# tetapi tetap menjaga harmonisasi, atau dimulai dari Chord D mayor dapat diganti dengan chord F#m yang merupakan posisi lima">  
 
<span title="Sebagai contoh: dalam sebuah lagu nada dasar adalah chord A mayor kemudian chord berikutnya adalah Bm maka kita dapat menggatinyadengan chord yang posisinya lebih rendah yaitu G# tetapi tetap menjaga harmonisasi, atau dimulai dari Chord D mayor dapat diganti dengan chord F#m yang merupakan posisi lima">For
 example: in a song tones are chord A major then the chord next Bm ,<span title="Sebagai contoh: dalam sebuah lagu nada dasar adalah chord A mayor kemudian chord berikutnya adalah Bm maka kita dapat menggatinyadengan chord yang posisinya lebih rendah yaitu G# tetapi tetap menjaga harmonisasi, atau dimulai dari Chord D mayor dapat diganti dengan chord F#m yang merupakan posisi lima">we can replace it with chord position lower at G # but still keep the 
harmony, or the start of the chord D major can be replaced with a chord F
 # m which is the fifth of the D major chord, so the results remain harmonious. 
 
 In
 changing the arrangement of the chord of a song you have to pay 
attention to the basic tone of what is used in the song and then specify
 progresion so the results remain harmonious chord.

For the musicians, after listening to and explored various types of music, then the next step is to try to develop his ideas. Musical ideas ...