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Barline, Rhythms, and Nature of Songs

On the sheet music of a song is usually listed an early sign pre-tone. This sign is known as a sign barline. Barline sign usually consisting of two figures, one figure above the third line, and the other numbers on the third line below pre-tone. 
At the time signature numbers above stated amount of tap in units of one measure, while those below indicate note values the tap unit. 
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For example: Signs barline 3/4, that means there are 3 tap tap notes in denominations of 1/8. Keep in mind that, unlike the three tap three notes. Barline 3 tap may consist of 3 notes, 4 notes, 5 notes, or just one note. The most important thing on a barline sign means each barline has a tap number (not value) to be the same but the number could not differ. Rhythm is a musical movement that runs regularly. This causes irregular motion pop song be heard and felt. Rhythm associated with short-term notes, and light-weight stress or accent on the note. Signs barline can often indicate the nature of the particular song tempo or speed of the song. Often many of them think, that marks the barline with larger numbers sung or played with a lighter and faster, while lower numbers Kevil sung or played with heavier and slower.

On the sheet music of a song is usually listed an early sign pre - tone . This sign is known as a sign barline . Barline sign usually consi...

Dynamic Song

Dynamic song here is a sense of power, which is when they sing or play music should pay attention to the power of each tone. Maybe in certain parts need to be sung / played strong and the other part was sung / played with more subtle. Hard soft on a song called dynamic song. Dynamic track is determined by several factors, one of which is the term dynamic. The term dynamic is in the form of letters stands. If such an image is called dynamic marks. Basically there are two dynamic terms,  forte = strong, and piano means soft. Forte shortened to f, while the piano shortened to p. Abbreviation is always written in lower case. Regarding the strong and soft, there are several levels, namely:   
f = strong ff = stronger than f fff = stronger than ff mf = somewhat strong, or less powerful than the f (mezzo forte) 
 
p = soft pp = softer than the p ppp = softer than pda pp mp = slightly soft, or less soft than the p (mezzo piano) 
cresc (crescendo) = the longer the stronger. decresc (decrescendo) = the longer the more tender. 
 The sign for the crescendo and decrescendo expressed in the picture: 
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Dynamic song here is a sense of power, which is when they sing or play music should pay attention to the power of each tone. Maybe in certai...

Polyrhythms Scales

In the game scales in this case, right and left hand playing different rhythms within the meaning of the word: a unit of time of each voice is divided, so that the parts can not be divided from each other. 
For example: 2 to 3, 3 opposed to 4, 4 opponent 5, 5 opponents 7, and so on. 
 
In the game scales are usually trained 2x3 / 3x2, and 3x4 / 4x3, just 8. How to study polyrhythms scales are: 
1. By feeling the rhythm: 
<ul>
<li>The right hand knocks division 3 of the unit of time.</li>
<li>Then the left hand knocking, knocking in only 2 units of time.</li>
<li>Make sure your hands comfortably.</li>
</ul>
2. Based on the count, I calculate to be firm and very regular / flat: 
 
2 opponents 3; count should be a division that can be divided by 2 and 3, which is 6. Note that, if the left hand started with 3 pounding, had started 2 octave lower than his right. 
 
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3 opponents 4, count should be a division that can be divided by 3 and 4, 12. Note that if the left hand started with 4 knocking had begun two octaves lower than his right. 
 
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If played two thumbs opposite movement started in the same keys in the middle klavier yan. 2x3 scales, not giving trouble, but the 3x4 have a solution. The hand that plays four octaves on the feedback must repeat an octave.

In the game scales in this case, right and left hand playing different rhythms within the meaning of the word: a unit of time of each voice ...

Multiple Chromatic Scales

Scales is played in the form of multiple-terts, there terts small and large terts. In fingering, one of the two sounds played "legato", despite other noises caused finger-1 played impinge. It can help us as long as kitatetap thumb in a relaxed state (not stiff). Another voice shall preclude imperfect legato. a. Small Terts Chromatic 
Right: 
es  : 3   4   5   3   4   3   4   3   4   5   3   4   3   (es) 
c   : 1   2   1   2   1   1   2   1   2   1   2   1   1   (c) 
 
Left: es  : 2   1   1   2   1   2   1   2   1   1   2   1   2   (es) 
c   : 4   3   4   3   5   4   3   4   3   4   3   5   4   (c) 
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b. Great Terts chromatic 
 
Right: 
e  :   4   5   4   5   4   5   3   4   5   4   5   3   4   (e) 
c  :   1   2   1   2   1   1   2   1   2   1   2   1   1   (c) 
 
Left:  
e  :   1   1   2   1   2   1   2   1   1   2   1   2   1  (e) 
c  :   4   3   5   4   5   4   3   5   4   5   4   5   4  (c) 
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Scales is played in the form of multiple-terts, there terts small and large terts. In fingering, one of the two sounds played "legato&q...

Piano Chromatic Scales

Scales consist of tones within -1 / 2, for smooth motion thumb under the other fingers while playing the piano. In the chromatic scales there are several kinds of fingering, but that is often used is: 
 
1. French Way 
If moving the opposite, then: 
Right / Left: 
<ul>
<li>the two white keys, successive: finger-1 and-2.</li>
<li>the black keys of finger-3.</li>
<li>on the white keys of the fingers to-1</li>
</ul>
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2. England Way 
As in the French way, except: 
Right:    2      3      4 
            gis    a      ais 
 
Left:  fis    g     gis 
          4     3      2 
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3. Germany Way 
If the opposite motion, then: 
Right / Left:  
<ul>
<li>the two white keys, successive: finger-3, and to-1.</li>
<li>the black keys of finger-2.</li>
<li>on the white keys of the fingers to-1.</li>
</ul>
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To play and train these chromatic scales, usually just 8 octaves. At the same fingering necessarily unidirectional movement of any note, but must begin with a finger by way of the French, English, or German. 
 
At the opposite motion, if it starts with both hands on the tone D or As, hands move symmetrically, it can begin to train both chromatic scales first.

Scales consist of tones within -1 / 2, for smooth motion thumb under the other fingers while playing the piano . In the chromatic scales ...

Fingerings Scales for Piano

The placement of the fingers in playing <a href="http://mmusic-zone.blogspot.com/2012/11/new-scales-on-piano.html">piano</a> is very important, both on a technical exercise ordinary scales or composition. If it is trained, consequently, it will be easier when playing. Consider this carefully finger placement and give some finger marks. To practice scales and tritone, could use a quick rule of finger marks. 
 
Elaborate techniques on how to play scales and tritone depend on practical methods you use. 
 
<div style="text-align: center;">
Finger marks in the major scale</div>
 
If the gamut from the white notes: 
Right up, left down: 1 2 3 1 2 3 4 1 (or 5, when turning) 
Except: 
Right scales F, and left scales B: 1 2 3 4 1 2 3 1 (or 4, when turning) 
 
If the gamut from the black keys: 
Right up, left down: after the black notes, white notes are played with the first finger of unity (thumb). 
 
Finger marks in the minor scales: 
1. If the gamut from the white notes: then, finger marks with white notes in the major scale. 
2. If the scales ranging from black note: the same with the black keys on a major scale. 
Except: 
Ais harmonic minor scales, where the tone gisis (white notes) was applied to the finger-3, not finger-1. 
 
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Some melodic minor scales give a hard time flipping, which is to the right hand: 
<ul>
<li>fis within octave melodic minor</li>
<li>fis-melodic minor is terts</li>
<li>cis within octave melodic minor</li>
<li>cis melodic minor is terts</li>
</ul>
For the left hand: 
<ul>
<li>gis / as-melodic minor is sekst (flips down time)</li>
<li>f melodic minor is sekst (rise time flipping)</li>
</ul>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg20JJoKofFBg__8pbusz_b7Wtv5-qvGKZAhVGseeTQN8G4w8qPfNcLfKxslpai-lmehHQ94frIXSaiEFZUGoDKVynba7R0myVL9EDHr0oEh0HexeSgnv3GBN91ZL944QIzkEReU4ScfZc/s1600/Finger+marks.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Finger marks" border="0" height="327" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg20JJoKofFBg__8pbusz_b7Wtv5-qvGKZAhVGseeTQN8G4w8qPfNcLfKxslpai-lmehHQ94frIXSaiEFZUGoDKVynba7R0myVL9EDHr0oEh0HexeSgnv3GBN91ZL944QIzkEReU4ScfZc/s400/Finger+marks.png" /></a> 
The image above shows the "normal finger", apart from the kind of finger marks on the top, there are two finger marks, namely: 
 
Similar finger marks 
Finger marks is more difficult, since this finger sign is based on the same finger, so that the black keys are also played with the thumb. To make it easier to play well in the major or minor scales, then played with the same finger marks: 
right up, left down: 1 2 3 1 2 3 4 1 (or 5) 
 
Natural finger marks 
Sign is based on the position of a finger or fingers of each hand. For example: D major scales, simple and suitable for the right hand, but the left hand does not, more logical if the left hand is also used in finger marks like this: 
 
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The change is only required on some scales and always for the left hand. 
 
Apart from the above alternatives, there is still a kind of relief, that if the scales or tritone start with black keys and white keys keys are played next to curry the 3rd or the 4th. So likewise the reversal, the left hand can play a tone reversal with finger-2, although in previous octaves keys must be played with the third finger, or the fourth, ie Es major scales.

The placement of the fingers in playing piano is very important, both on a technical exercise ordinary scales or composition. If it is tra...

Minor Scale on the Piano

In the major and minor scales have the same scales, but these minor scales starting with the 6th floor. Then the 6th floor of the major scale is the basis of minor scales: 
 
level scales: 1 - 2 - 3 - 4 - 5 - 6 - 7-8 
                   c - d - e - f - g - a - b - c 
                                             a - b - c - d - e -f - g - a 
                                            1 - 2 - 3 - 4 - 5 - 6 -7 - 8 : level scales 
 
Scales is called the original minor scales and small terts between tones to-1 and the third is the most important trait. When compared to the major scale it would place distance -1 / 2 fallen differently, so no tone that would lead to a fundamental tone. So this deficiency can be equipped with a voice coach to make "artificial", ie to raise the tone-7, then there is a longer distance -1 / 2 between the tone of the 7th and the 8th. 
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Stairs tone is called harmonic minor scales. One thing that must be considered and the most important in the harmonic minor scales is the second-over that exists between the 6th and 7th (f - gis) caused by rising the to-7. So the second-over, the difficult sung, the longer there is a another minor scales, where the tone of the six raised to avoid stepping second-over. 
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Tone supervisor is an attractive force when the scales go up, then when the scales decreases, changes in tone to the 6th and 7th eliminated. So, if it scales down will be the original minor scales: 
 
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Bright scales, occurs because the need is called melodic minor scales, and of particular concern is someone going up and down a different tone. Every major scale has a parallel minor scales (relatively minor). Base notes of minor scales are located down a small terts major tones (remember to tone-6). Then circle Kwint can be refined, so that the more clearly the relationship between each other. 
 
 
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MAJOR</div>
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In writing the sign changes, it should be noted that the signs of change scales with minor changes mark major scale parallel. To determine the scales of a composition always be aware of the bass notes (the lowest tone) on closed chord.

In the major and minor scales have the same scales, but these minor scales starting with the 6th floor. Then the 6th floor of the major sca...

New Scales on Piano

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In the previous post, we have little understanding of the basic <a href="http://mmusic-zone.blogspot.com/2012/11/major-scales-piano.html">major scale piano</a>. Indeed, the piano has keys the same, just different names, sometimes tone. The tones were called "Enharmonis". 
 
The new scales are barred on the fifth tone above and beyond the c-5 from tone to the next scales. Meanwhile, a new mole scales, there is the tone of the under-5 c, and so the tone of the following five basic tone scales next. 
 
Ladder after ladder nda new tone C is G, if played then: g - a - b - c - d - e - f - g, range -1 / 2 between the tones 3 and 4 are correct, but the distance between the 7th and 8th are not, so the tone to-7 should be exalted: g - a-b - d - e - fis - g. 
 
So therefore there is a G major scales that barred one. Next new scales starting on the fifth note of the G scales, namely d. And d be a basic tone. High tone on tone G (ie f be fis) was maintained and tone-7 in heightened to get the distance -1 / 2 between the tone of the 7th and the 8th, it will be a gamut D major barrier two. 
 
In this way the other trestle scales can be searched by Cis scales were barred seven. 
 
Sequence shows an overview of the scales are clearly the "circle Kwint". Kwint is the name of the distance between the first and fifth tones. Barred the new scales are always up 5 tones and scales of this new tone to-7 is always on heightened. Mol scales new is always down 5 tones, and from these new scales of the 4th always lowered.

In the previous post, we have little understanding of the basic major scale piano . Indeed, the piano has keys the same, just different ...

Major Scales Piano

The distance between the two smallest pitch is the distance -1 / 2 (show on piano ef, bc, fis-g, or a-bes). Two distance -1 / 2 is the distance -1 (show distance c-d, cis-dis, e-fis, or bes-c). As a basis for clarifying about the major scale piano, it can use a row of c to c: c - d - e - f - g - a - b - c-(original names). Scales consist of distance -1 / 2 and -1 * distance). At the piano is played rows c to c, then each distance are shown one at a time. The second place distance -1 / 2 must be memorized well, that is between the 3rd and the 4th, and the level of the 7th and the 8th. 
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Distance -1 / 2 is very important because it will give to attract tendency to pitch, namely: 
<ul>
<li>Tone-7 to draw the basic tone scales again.</li>
<li>Tone-4 to pull a third tone scales.</li>
</ul>
Scales in this order is the major scale, if established major scale in other tones, then to maintain the distances -1 / 2 should be worn low and high. 
 
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An original tone can raise half the distance, with writing cross mark on the face of the note, by adding-is (eg: c = cis). 
 
An original tone can be elevated two times half the distance, giving way writing with a double dagger mukanyadan add-isis (eg: c = cisis) 
 
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A tone can be lowered 1/2 the distance, write a mole on the face not sign it, and add-es (eg, b = bes). 
 
An original tone can be lowered two times half the distance, writing with multiple moles marks and add-eses (eg, b = beses). 
 
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If these changes are not used, then it can be put on alert again. Sign back is to restore single or multiple changes to the original tone. If you want to restore from single to multiple changes, then this should be noted in particular. 
 
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Show on piano and show that a high or low tone does not always fall on the black keys.

The distance between the two smallest pitch is the distance -1 / 2 (show on piano ef, bc, fis-g, or a-bes ). Two distance -1 / 2 is the di...