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Techniques for Arranging Choir

In writing, <a href="http://mmusic-zone.blogspot.com/2012/12/satb-choir-arrangements.html">SATB</a> arrangement not allowed to happen overlap between soprano voice, alto, tenor, and bass. In addition, the choir arrangement, parallel octaves Kwint and should not be allowed because the two types of sound can move on their own to be bound freedom: Example: 
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPrM1fSRg-0QoT7Lw5lcInbwpNizsir6L2uNtvgbDhEoWNoKq5P2W_mEdCD6MNcumKLdhqLkcfVRGF-6Y-XQTUOSftDijRzZuAX1jMSYapxPJZXQ3m6f8VGueG4-zvhOAw0TkHKezJp38/s1600/86+notation.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="86 notation" border="0" height="168" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPrM1fSRg-0QoT7Lw5lcInbwpNizsir6L2uNtvgbDhEoWNoKq5P2W_mEdCD6MNcumKLdhqLkcfVRGF-6Y-XQTUOSftDijRzZuAX1jMSYapxPJZXQ3m6f8VGueG4-zvhOAw0TkHKezJp38/s320/86+notation.png" /></a></div>
 
Right Arrangement: 
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Here is a parallel wrong: 
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Note the tone of the second and third in the soprano, and the tone of the second and third on the bass, look parallel. Arrangement should be arranged as follows: 
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Parallel is not allowed anymore is parallel to the octave soprano voice and bass. This means that the doubling melodic sound, then these should be avoided. example: 
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Arrangement should be as follows: 
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In writing, SATB arrangement not allowed to happen overlap between soprano voice, alto, tenor, and bass. In addition, the choir arrangement...

SATB Choir Arrangements

Before making arrangements, let us consider the basic provisions SATB the choir arrangements. Writing in block notation: Soprano and tenor written stalk upward direction and Alto and bass written stalk downward direction. Sets the tone: The essence of creation is to determine the arrangement based on the chord tone is established. 
 
To determine a good tone Watch for are: 
 
1. The first priority, the basic tone. 
 2. The second priority on Kwint tone. 
 3. Not recommended in tone terts (distance to three), 
4. Distance tone on each type of voice. 
5. Keep your distance / interval Soprano to Alto, Tenor and Alto with no more than 1 octave. Consider the example of the song the first bars following: 
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C Major </div>
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The interval between the soprano and alto tones e1 and c1 is not more than 1 octave, even less than 1 octave, the interval between the alto and tenor tone g and e1 is also less than 1 octave. 6. Distance tenor to bass may be more than one octave, for example: 
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C Major</div>
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Before making arrangements, let us consider the basic provisions SATB the choir arrangements . Writing in block notation: Soprano and teno...

Type of Voice

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SATB (Soprano, Alto, Tenor, and Bass) are arrangements sung by the voices of men and women or often referred to as mixed the choir. This arrangement is considered the most perfect tone for the region to reach more broadly. Four types of noise are soprano, alto, tenor, and bass can be combined in various combinations, as follows: 
 
Soprano and alto (SA), this arrangement is usually sung by the choir (choir) women or children. Low noise are not always seen as a bass voice choir therefore, should be accompanied by an instrument to strengthen the low tones. 
 
TTBB (Tenor, Tenor, Bass, and Bass) is a the choir sung by a male voice, but the more we come across are male the choir to 3 votes, namely (Tenor, Tenor, Bass) TTB. 
 
Make arrangements for mixed the choir (SATB) is basically create a new song. Soprano voice is usually already there and a melodic essence, although sometimes there is also the principal melody laid on another type of sound, it is the exception.

SATB (Soprano, Alto, Tenor, and Bass) are arrangements sung by the voices of men and women or often referred to as mixed the choir. Thi...

Choir Arrangements

Choir is an integral part of a number of performers from several different types of sounds and combine them under the leadership of a conductor. <a href="http://mmusic-zone.blogspot.com/2012/10/zubin-mehta.html">Conductor</a> or conductor is a job leading a group of musicians both vocal music, instruments or a combination of vocals and instruments. To be able to do the job required several requirements such as having a spirit of leadership, knowledge and abilities and skills in the field of music. One of the capabilities required of a teacher is to make the music <a href="http://mmusic-zone.blogspot.com/2012/11/the-harmony-of-science.html">SATB</a> choir arrangements. To be able to make arrangements choir, the must-have knowledge is to determine the areas of the human voice according to its kind. This is important because the arrangements was expected later be sung according to the area of each sound type sound. Each type of voice has the tone and character of the area between different kinds of sounds that one with one another. Each area of the tone of each type of sound had a chest voice registers, middle, and head.

Choir i s an integral part of a number of performers from several different types of sounds and combine them under the leadership of a condu...

The Harmony of Science

Basically the harmony of science is divided into two, namely conventional harmony and modern harmony. Conventional harmony learn how to make arrangements for choirs (vocal) by grouping types of voice soprano, alto, tenor, and bass is more popular or to fill in SATB. While modern harmony is a science that studies the problem of harmony and chord scales, for both vocal and instrumental music. Modern harmony is widely used as a basis for improvisation in jazz and pop music. 
 
The human voice is divided into 4 types: soprano is a type of female voice with high tone areas, alto voice is a kind woman with a low tone areas, tenor voice is a kind man with a high tone areas, the bass is a type of male voice with a low tone areas. 
 
The division of the type of sound a more detailed example: mezzo soprano, is a type of female voice that area is lower than the soprano voice but higher than the alto. Baritone is a type of male voice sound lower region of the tenor and higher than bass.

Basically the harmony of science is divided into two, namely conventional harmony and modern harmony . Conventional harmony learn how to m...

Minor Scales

Minor Diatonic Scale 
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Harmonic Minor Scale 
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Melodic Minor Scale 
Up: 
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Down: 
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The song uses minor scales, can use any type of minor scales, but there is also the use of two or three types at once. </div>

Minor Diatonic Scale Harmonic Minor Scale Melodic Minor Scale Up: Down: The song uses minor scales, can use any type of...

Major Scale (Part 2)

Fis Major Scale (6#) 
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Cis Major Scales (7#) 
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F Major Scale  (1b) 
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Bes Major Scale (2b) 
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Es Major Scale (3b) 
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As Major Scale (4b) 
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Des Major Scale (5b) 
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Ges Major Scale(6b) 
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Ces Major Scale (7b) 
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Fis Major Scale (6#) Cis Major Scales (7#) F Major Scale (1b) Bes Major Scale (2b) Es Major Scale (3b) As Major Scale (...

Major Scale (Part 1)

C Major Scale (Natural) 
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Scales above there are two tetrachord. The first Tetrachord CDEF, and the second tetrachord GAB C. G Major Scale (1 #) 
 
To form the new scales, the second tetrachord becomes the first tetrachord then proceed with the next pitch intervals as prescribed. 
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G A B C became the first tetrachord of the next tone was followed DEF G. Tone E to F is a half tone when the distance to the 6 to 7 is 1 so that the tone should be increased to 7 ½, so the distance to 1. As for the distance F to G of the original one, after F becomes Fis distance to ½, Such notation above. Since in G major scales are 1 tone given the tone F sharp sign, the scales are also called first sharp scales. 
D Major Scale (2 #) To form the next scales, are the same with the manufacture of scales above. Tetrachord to two of the G major scales, namely: DE Fis G became the first tetrachord. 
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D E Fis G became the first tetrachord of the next tone was followed A B C D. Tone B to C is a half tone when the distance to the 6-to 7 is 1 so that the tone should be increased to 7 ½, so the distance to 1. C to D while the distance of the original one, after being Cis C distance becomes ½., Such as the notation above. Because in D major scales there are 2 sharps alert tone given the tone of F and C, then the scales are also called scales 2 sharps. 
 
A Major Scale (3 #) 
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E Major Scale (4#) 
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B Major Scale (5#) 
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C Major Scale (Natural) Scales above there are two tetrachord. The first Tetrachord CDEF, and the second tetrachord GAB C. G Major Scale ...

Signs of Accidental

Accidental signs is a sign which can change the pitch in one measure. These markers are no longer valid in bar next. To better understand this accidental marks should track above the first song sung with the right intonation. 
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At the time signatures into three, four, and six are signs that serve to lower mole half tones. In bars third and four, tone marked mol b after being bes. While the tone of a six-bar to turn into aces. Each tone to be awarded with the name mole plus ice, but the tone's a plus. Similarly, the sharp sign, sign moles also only applies to one measure. In terms of international standards, the tone marked mol / flat name plus a flat, eg b to b flat.

Accidental signs is a sign which can change the pitch in one measure. These markers are no longer valid in bar next. To better understand th...

3/4 time signature

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Time signature 3/4 in popular music known as rhythm Walz, but today rarely use this time signature. In music theory, classification time signatures are divided into two, namely the simple time signatures and time signatures stacking. 
 
Simple time signatures such as: 2/4, 3/4, 4/4. While time signatures which is an array of two or more time signatures such as 6/8 time signatures consist of two 3/8, time signatures 9/8 is an arrangement of three time signatures 3/8, and others. 
 
Time signatures are actually more focused on writing techniques. For example, the song that marked the actual measures of ¾ can be written in time signatures 3/8, 4/4 time signatures written in 4/8.

Time signature 3/4 in popular music known as rhythm Walz , but today rarely use this time signature. In music theory, classification time ...

Staves and Key Signature

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The line is used for the tone and rhythm of writing. The difference, are required to write key (clef) to determine the tone name listed on the stave, rhythms while writing is not required because the key signature notation played not pitched. 
 
Key Signature 
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Key G serves to set the tone of G contained in the second line from the bottom or from the top line to four. 
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The key signature serves to set the tone of F contained in the fourth line from the bottom and top of the line into two. The names of the tones by frequency are as follows: 
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Stave notation above there are two key signs that the key of G and F keys The notation above shows that the key of G, and F keys are related and show that the notes in the key of F lower than the notes contained in the key of G. The names of tune arranged sequentially to clarify the position of the tone notation in the stave. 
 
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Signs are the key of C 5 (five) types are distinguished from the key mark the location on the stave. Tone is located in the front center of the notation is c1, the next pitch adjust according to the position / location of the tone that will affect the high and low tones. Because it can move, the key is often called movable clef. Key signature is usually only used for writing instruments viola and cello. 
 Form and note values 
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Form silent mark 
 
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intact 
 
half 
 
fourth 
 
 
eighth 
 
 sixteenth

The line is used for the tone and rhythm of writing. The difference, are required to write key (clef) to determine the tone name listed on...

The Art of Non-Classical Music

Increased non-classical music appreciation and apresiation against the entertainment world will open up new opportunities growing professions in the entertainment world (popular music). That opportunity has been used by the industry, both related to the world of performance management and other industries. These opportunities will surely bring benefits: 
<ul>
<li>Improving people's appreciation of the art of non-classical music (popular).</li>
<li>Competition among musical groups, which in turn affects the competitive attitude of professionalism in the field.</li>
<li>In connection with the world of show business, which led to the recording industry economic movement.</li>
</ul>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYM9eSwtLsCThvldmzK6xRycAoLVjRCPcAfIxnmGDjb0sN8eMEwEttZ6xKxkqGiAUdS_7cImS3VW9UVotIWlqC_Hq8M9iVqLnPZwO_1qm_lTKiIEb8QTSmWxjWA7FQscBi_xYW2-ZyPdU/s1600/Non-Classical+Music.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="Non-Classical Music" border="0" height="185" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYM9eSwtLsCThvldmzK6xRycAoLVjRCPcAfIxnmGDjb0sN8eMEwEttZ6xKxkqGiAUdS_7cImS3VW9UVotIWlqC_Hq8M9iVqLnPZwO_1qm_lTKiIEb8QTSmWxjWA7FQscBi_xYW2-ZyPdU/s320/Non-Classical+Music.jpg" /></a>Non-classical music is a very wide range of musical life in general. It should be understood that the formal definition will fail to explain clearly. The general meaning of non classical music is popular music, with the band as a form of expression, so in this book presented a wide range of exercises, songs, style and character of each instrument in the band. 
 
The scope of the art of non-classical music is the knowledge of musical instruments, including every character-ins such as music instrumen compass / ambitus and structure of musical instruments. 
 
One's musical ability can be detected through its ability to play music. Although music theory is not one of competence required by the Non-Classical Music is very important but kemmapuan controlled. Music theory needs to be recognized as a means to facilitate the playing of music. 
 
Ability to master the theory of music in the game is actually very attached to the instrument and the need for each instrument is not the same.

Increased non-classical music appreciation and apresiation against the entertainment world will open up new opportunities growing profession...

Song Speeds - Tempo

In music, the song is called tempo pace. Many songs are upbeat, and some are a slow or moderate. While the words that express high tempo song called term. Terms Tempo In general, there are 8 main tempo term that is often used, and the rest is the development of the term date was: Speed                    Terms Tempo                    Metronome 
 Very slowly           Largo and Lento                   40 - 60 and 60 - 66 /minute 
Slow                    Adagio                                 66 - 76 /minute 
Medium               Andate and Moderato           76 - 108 and 108 - 120 /minute 
Fast                    Allegro                                120 - 160 /minute 
Very fast              Vivace and Presto               160 - 184 and 184 - 208 /minute 
 
Furthermore, the tempo of the song, is a combination of the above terms. Eg: Allefro Vivace, which means faster but less Allegro Vivace. There is also adding several other terms, such as: 
<ul>
<li>con amore - with great love</li>
<li>con brio - with life</li>
<li>Fiesto con - with a rousing</li>
<li>espressione con - with feeling</li>
<li>con dolore - with sadness</li>
<li>Maestoso con - with grand</li>
</ul>
Example: Alloy adagio and maesto. It also can add the suffix-Etto which means "rather". If allegro means fast, it means then Allegretto means rather quickly, and allgrissimo means very fast.

In music, the song is called tempo pace. Many songs are upbeat, and some are a slow or moderate. While the words that express high tempo ...

Barline, Rhythms, and Nature of Songs

On the sheet music of a song is usually listed an early sign pre-tone. This sign is known as a sign barline. Barline sign usually consisting of two figures, one figure above the third line, and the other numbers on the third line below pre-tone. 
At the time signature numbers above stated amount of tap in units of one measure, while those below indicate note values the tap unit. 
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For example: Signs barline 3/4, that means there are 3 tap tap notes in denominations of 1/8. Keep in mind that, unlike the three tap three notes. Barline 3 tap may consist of 3 notes, 4 notes, 5 notes, or just one note. The most important thing on a barline sign means each barline has a tap number (not value) to be the same but the number could not differ. Rhythm is a musical movement that runs regularly. This causes irregular motion pop song be heard and felt. Rhythm associated with short-term notes, and light-weight stress or accent on the note. Signs barline can often indicate the nature of the particular song tempo or speed of the song. Often many of them think, that marks the barline with larger numbers sung or played with a lighter and faster, while lower numbers Kevil sung or played with heavier and slower.

On the sheet music of a song is usually listed an early sign pre - tone . This sign is known as a sign barline . Barline sign usually consi...

Dynamic Song

Dynamic song here is a sense of power, which is when they sing or play music should pay attention to the power of each tone. Maybe in certain parts need to be sung / played strong and the other part was sung / played with more subtle. Hard soft on a song called dynamic song. Dynamic track is determined by several factors, one of which is the term dynamic. The term dynamic is in the form of letters stands. If such an image is called dynamic marks. Basically there are two dynamic terms,  forte = strong, and piano means soft. Forte shortened to f, while the piano shortened to p. Abbreviation is always written in lower case. Regarding the strong and soft, there are several levels, namely:   
f = strong ff = stronger than f fff = stronger than ff mf = somewhat strong, or less powerful than the f (mezzo forte) 
 
p = soft pp = softer than the p ppp = softer than pda pp mp = slightly soft, or less soft than the p (mezzo piano) 
cresc (crescendo) = the longer the stronger. decresc (decrescendo) = the longer the more tender. 
 The sign for the crescendo and decrescendo expressed in the picture: 
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Dynamic song here is a sense of power, which is when they sing or play music should pay attention to the power of each tone. Maybe in certai...

Intervals, Tones, and Chord

The interval is the distance between two tones. There bnayak interval size that can be used to form a major scale. There are many different types of scales, and everything is based on the interval. 
 
Sizes varying intervals will provide not only voice sounded different but, it also gives a different impression. To measure intervals mixed tones can be perceived fit (consonant). But the mix of other tunes can be heard less suitable (dissonant). 
 
The combination of consonant and dissonant indispensable in music. Music that only contained consonant sounds soft and tender. Giving dissonant colors in music making. 
 
Here is a table of the size of the interval (in semiton), name, and a brief description. 
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The name and size of the interval above is very important, especially when making a chord. There are many types of chord, and each is based on a unique formula of combination tone interval. Each interval disukur from the initial tone (tones) of the chord type to be developed. 
 
For example: 
When creating a D chord, then D is calculated as ringing tones initial (basic) in the calculation interval. 
 
Intervals of the type constructed from the basic tone is known as the (degree). Naming this level is similar to the name of the interval, but the level is more often used as a short penullisannya. 
 
Here's a list naming and equivalent level intervals and interval size: 
 
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These levels are very important in the preparation of a chord, as in making a major chord, the tone required of levels 1, 3, and 5 of the C major scales.

The interval is the distance between two tones. There bnayak interval size that can be used to form a major scale. There are many different ...

Polyrhythms Scales

In the game scales in this case, right and left hand playing different rhythms within the meaning of the word: a unit of time of each voice is divided, so that the parts can not be divided from each other. 
For example: 2 to 3, 3 opposed to 4, 4 opponent 5, 5 opponents 7, and so on. 
 
In the game scales are usually trained 2x3 / 3x2, and 3x4 / 4x3, just 8. How to study polyrhythms scales are: 
1. By feeling the rhythm: 
<ul>
<li>The right hand knocks division 3 of the unit of time.</li>
<li>Then the left hand knocking, knocking in only 2 units of time.</li>
<li>Make sure your hands comfortably.</li>
</ul>
2. Based on the count, I calculate to be firm and very regular / flat: 
 
2 opponents 3; count should be a division that can be divided by 2 and 3, which is 6. Note that, if the left hand started with 3 pounding, had started 2 octave lower than his right. 
 
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3 opponents 4, count should be a division that can be divided by 3 and 4, 12. Note that if the left hand started with 4 knocking had begun two octaves lower than his right. 
 
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If played two thumbs opposite movement started in the same keys in the middle klavier yan. 2x3 scales, not giving trouble, but the 3x4 have a solution. The hand that plays four octaves on the feedback must repeat an octave.

In the game scales in this case, right and left hand playing different rhythms within the meaning of the word: a unit of time of each voice ...

Piano Chromatic Scales

Scales consist of tones within -1 / 2, for smooth motion thumb under the other fingers while playing the piano. In the chromatic scales there are several kinds of fingering, but that is often used is: 
 
1. French Way 
If moving the opposite, then: 
Right / Left: 
<ul>
<li>the two white keys, successive: finger-1 and-2.</li>
<li>the black keys of finger-3.</li>
<li>on the white keys of the fingers to-1</li>
</ul>
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2. England Way 
As in the French way, except: 
Right:    2      3      4 
            gis    a      ais 
 
Left:  fis    g     gis 
          4     3      2 
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3. Germany Way 
If the opposite motion, then: 
Right / Left:  
<ul>
<li>the two white keys, successive: finger-3, and to-1.</li>
<li>the black keys of finger-2.</li>
<li>on the white keys of the fingers to-1.</li>
</ul>
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To play and train these chromatic scales, usually just 8 octaves. At the same fingering necessarily unidirectional movement of any note, but must begin with a finger by way of the French, English, or German. 
 
At the opposite motion, if it starts with both hands on the tone D or As, hands move symmetrically, it can begin to train both chromatic scales first.

Scales consist of tones within -1 / 2, for smooth motion thumb under the other fingers while playing the piano . In the chromatic scales ...

Fingerings Scales for Piano

The placement of the fingers in playing <a href="http://mmusic-zone.blogspot.com/2012/11/new-scales-on-piano.html">piano</a> is very important, both on a technical exercise ordinary scales or composition. If it is trained, consequently, it will be easier when playing. Consider this carefully finger placement and give some finger marks. To practice scales and tritone, could use a quick rule of finger marks. 
 
Elaborate techniques on how to play scales and tritone depend on practical methods you use. 
 
<div style="text-align: center;">
Finger marks in the major scale</div>
 
If the gamut from the white notes: 
Right up, left down: 1 2 3 1 2 3 4 1 (or 5, when turning) 
Except: 
Right scales F, and left scales B: 1 2 3 4 1 2 3 1 (or 4, when turning) 
 
If the gamut from the black keys: 
Right up, left down: after the black notes, white notes are played with the first finger of unity (thumb). 
 
Finger marks in the minor scales: 
1. If the gamut from the white notes: then, finger marks with white notes in the major scale. 
2. If the scales ranging from black note: the same with the black keys on a major scale. 
Except: 
Ais harmonic minor scales, where the tone gisis (white notes) was applied to the finger-3, not finger-1. 
 
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Some melodic minor scales give a hard time flipping, which is to the right hand: 
<ul>
<li>fis within octave melodic minor</li>
<li>fis-melodic minor is terts</li>
<li>cis within octave melodic minor</li>
<li>cis melodic minor is terts</li>
</ul>
For the left hand: 
<ul>
<li>gis / as-melodic minor is sekst (flips down time)</li>
<li>f melodic minor is sekst (rise time flipping)</li>
</ul>
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The image above shows the "normal finger", apart from the kind of finger marks on the top, there are two finger marks, namely: 
 
Similar finger marks 
Finger marks is more difficult, since this finger sign is based on the same finger, so that the black keys are also played with the thumb. To make it easier to play well in the major or minor scales, then played with the same finger marks: 
right up, left down: 1 2 3 1 2 3 4 1 (or 5) 
 
Natural finger marks 
Sign is based on the position of a finger or fingers of each hand. For example: D major scales, simple and suitable for the right hand, but the left hand does not, more logical if the left hand is also used in finger marks like this: 
 
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7-TRYb6ZX1keDXt82kULwegy7naqgjrbaKf6Dp64abaoih3o3Bve7TqCdMyYirhM_63TN5O_ZKM1zAfTOaRVrYhN0GzYC17EYl4_G1EhUhYsEyZJLc4sopygkdkJg432FR725JSmj5GY/s1600/natural+finger+mark.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="natural finger mark" border="0" height="50" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7-TRYb6ZX1keDXt82kULwegy7naqgjrbaKf6Dp64abaoih3o3Bve7TqCdMyYirhM_63TN5O_ZKM1zAfTOaRVrYhN0GzYC17EYl4_G1EhUhYsEyZJLc4sopygkdkJg432FR725JSmj5GY/s400/natural+finger+mark.png" /></a></div>
The change is only required on some scales and always for the left hand. 
 
Apart from the above alternatives, there is still a kind of relief, that if the scales or tritone start with black keys and white keys keys are played next to curry the 3rd or the 4th. So likewise the reversal, the left hand can play a tone reversal with finger-2, although in previous octaves keys must be played with the third finger, or the fourth, ie Es major scales.

The placement of the fingers in playing piano is very important, both on a technical exercise ordinary scales or composition. If it is tra...